Mackie 1604-VLZ Manuel D’Utilisation
16-Channel Mic/Line Mixer
Continued on Page 2
Features
Applications
Introduction
The 1604-VLZ PRO
is the latest update of our
CR1604-VLZ, incorporating our new ultra-high quality
XDR™ (Extended Dynamic Range) mic preamps with
the best RFI rejection of any compact mixer design on
the market and maximum freedom from ground loops.
XDR™ (Extended Dynamic Range) mic preamps with
the best RFI rejection of any compact mixer design on
the market and maximum freedom from ground loops.
Like all Mackie mixers, the 1604-VLZ PRO is
designed for rugged, 24-hour-a-day use. It is a
supremely fl exible mixer, not just because of its mul-
tiple input/output confi gurations, but because of its
true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift
switch), and extensive routing capabilities.
supremely fl exible mixer, not just because of its mul-
tiple input/output confi gurations, but because of its
true 4-bus architecture, 6 aux sends (with 3-4/5-6 shift
switch), and extensive routing capabilities.
No matter what the application, the 1604-VLZ
PRO can be confi gured for optimal use. As a table-
top mixer, input/output jacks can be positioned at
the rear of the unit, or with the optional RotoPod Kit
(RP1604-VLZ), positioned on the same plane as the
controls. Placed in a rack system, the 1604-VLZ PRO
can be set so that jacks are facing front (using the
RotoPod kit) or facing the rear to keep wandering
hands from playing with cords. Whether used in a
permanent installation, or as a portable mixer, the
1604-VLZ PRO is completely at home.
top mixer, input/output jacks can be positioned at
the rear of the unit, or with the optional RotoPod Kit
(RP1604-VLZ), positioned on the same plane as the
controls. Placed in a rack system, the 1604-VLZ PRO
can be set so that jacks are facing front (using the
RotoPod kit) or facing the rear to keep wandering
hands from playing with cords. Whether used in a
permanent installation, or as a portable mixer, the
1604-VLZ PRO is completely at home.
Built like a tank, the 1604-VLZ PRO is a team
player that can stand up to vigorous use, day in
and day out, any place it is installed. Its sturdy-yet-
light steel monocoque construction houses rugged,
double-sided through-hole-plated fi berglass circuit
boards, and 60mm faders with ultra-tight lip seals
for keeping out dust and other contaminants.
Impact-resistant knobs are mounted so they "ride"
just above the steel chassis — they absorb impact
without trouble. They’re designed to last, too,
thanks to co-molded potentiometers that don’t get
brittle and crack up. Then, we use metal stand-offs
and day out, any place it is installed. Its sturdy-yet-
light steel monocoque construction houses rugged,
double-sided through-hole-plated fi berglass circuit
boards, and 60mm faders with ultra-tight lip seals
for keeping out dust and other contaminants.
Impact-resistant knobs are mounted so they "ride"
just above the steel chassis — they absorb impact
without trouble. They’re designed to last, too,
thanks to co-molded potentiometers that don’t get
brittle and crack up. Then, we use metal stand-offs
RP1604-VLZ RotoPod bracket kit, 1604-VLZ Dirt Avert™
Ballistic Nylon Dust Cover, 1604-VLZ Fabric Mixer Bag and
1604-VLZ Suede Mixer Bag for 1604-VLZ PRO. 12-inch
and 18-inch Running Light Gooseneck lamps. 1202-VLZ
PRO 12-Channel Mic/Line Mixer, 1402-VLZ PRO 14-Chan-
nel Mic/Line Mixer, 1642-VLZ PRO 16-Channel Mic/Line
Mixer, SRM350/SRM450 Active 2-Way SR Loudspeakers,
M•800/M•1400i/M•1400 Power Amplifi ers, C200/
C300z passive 2-way SR Loudspeakers
Live sound mixing for churches, clubs,
schools, conference centers, board-
rooms, tradeshows, presentations
rooms, tradeshows, presentations
Keyboard, drum machine and DJ
Multitrack studio and fi eld recording
A/V presentations, video post produc-
Multitrack studio and fi eld recording
A/V presentations, video post produc-
tion, CD authoring, multimedia
Live broadcast remotes, ENG, ad production
16 low noise/high headroom XDR™ (Extended
Dynamic Range) XLR mic inputs with the best
RFI rejection of any compact mixer design and
maximum freedom from ground loops.
RFI rejection of any compact mixer design and
maximum freedom from ground loops.
16 balanced/unbalanced mono line inputs
True 4-bus design
Multi-way physical confi guration via rotatable
True 4-bus design
Multi-way physical confi guration via rotatable
I/O pod, or optional RotoPod Kit (RP1604-VLZ)
Inserts on all channels
Direct outs on channels 1–8
3-band EQ with sweepable mids
75Hz, 18dB/oct. Low Cut fi lter on each channel
PFL/AFL (Solo In-Place) on all channels (global)
Very Low Impedance (VLZ) architecture
Control Room/Phones source matrix
6 aux sends, 2 with master level controls
Wide input gain range with “virtual pad”
Stereo main outputs plus mono main output
Direct outs on channels 1–8
3-band EQ with sweepable mids
75Hz, 18dB/oct. Low Cut fi lter on each channel
PFL/AFL (Solo In-Place) on all channels (global)
Very Low Impedance (VLZ) architecture
Control Room/Phones source matrix
6 aux sends, 2 with master level controls
Wide input gain range with “virtual pad”
Stereo main outputs plus mono main output
with separate level control
Balanced inputs and outputs (except RCAs,
phones & inserts)
Level set LED and marker