Roland AT-350C Manuel D’Utilisation
12
Contents
Trying Out the Sounds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Performing with Rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Recalling Voices and Rhythms with a Single Button . . . . . . . . . . . . . . . . 6
Playing Along with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Performing with Rhythms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Recalling Voices and Rhythms with a Single Button . . . . . . . . . . . . . . . . 6
Playing Along with a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Other Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
Other Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
Placing the ATELIER on the Stand . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20
Attaching the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Connecting the AC adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Turning the Power On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Attaching the Music Rest . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Connecting the AC adaptor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
Turning the Power On/Off . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
Connecting to Output Device . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23
Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Connecting Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Using the USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
Using Headphones . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Connecting Pedals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24
Using the USB Memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
About the Voices and Parts . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
Functions of the Voice Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Selecting a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Functions of the Voice Buttons . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Selecting a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
(Music Assistant) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .31
Creating Organ Sounds (Vintage Organ) . . . . . . . . . . . . . . . . . . . . . . . . .32
Creating Organ Sounds (Vintage Organ) . . . . . . . . . . . . . . . . . . . . . . . . .32
Adjust the Volume Balance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35
Transposing to a Different Key (Key Transpose) . . . . . . . . . . . . . . . . . . .36
Transpose the Pitch in Octave Units (Octave Shift) . . . . . . . . . . . . . . . .37
Adding Effects to a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Transposing to a Different Key (Key Transpose) . . . . . . . . . . . . . . . . . . .36
Transpose the Pitch in Octave Units (Octave Shift) . . . . . . . . . . . . . . . .37
Adding Effects to a Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .38
Adding Harmony to a Melody (Harmony Intelligence) . . . . . .38
Changing the Type of Harmony Intelligence . . . . . . . . . . . . . . . .38
Adding Modulation to the Sound (Rotary Effect). . . . . . . . . . . .39
Adding Resonance to the Sound (Sustain Effect) . . . . . . . . . . . .40
Adding Reverberation to the Sound (Reverb Effect) . . . . . . . . .41
Making the Sound Distort (Overdrive Effect) . . . . . . . . . . . . . . . .43
Changing the Type of Harmony Intelligence . . . . . . . . . . . . . . . .38
Adding Modulation to the Sound (Rotary Effect). . . . . . . . . . . .39
Adding Resonance to the Sound (Sustain Effect) . . . . . . . . . . . .40
Adding Reverberation to the Sound (Reverb Effect) . . . . . . . . .41
Making the Sound Distort (Overdrive Effect) . . . . . . . . . . . . . . . .43
Using the D Beam Controller to Modify the Sound . . . . . . . . . . . . . . . .44
Using the Lower Keyboard Effectively . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
Using the Lower Keyboard Effectively . . . . . . . . . . . . . . . . . . . . . . . . . . . .45
(Solo To Lower) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .47
Using the Lower Keyboard to Play the Bass Voice
Using the Lower Keyboard to Play the Bass Voice
(Bass Split) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .48
Playing a Lower Voice with Percussion Instrument Sounds
Playing a Lower Voice with Percussion Instrument Sounds
(Drums/SFX) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50
Using the Lower Keyboard to Play the Bass Voice
Using the Lower Keyboard to Play the Bass Voice
Selecting a SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . .52
Optimal Settings for Playing a SuperNATURAL Voice . . . . . . . .53
Playing a SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Optimal Settings for Playing a SuperNATURAL Voice . . . . . . . .53
Playing a SuperNATURAL Voice . . . . . . . . . . . . . . . . . . . . . . . . . . . .54
Adjusting the Overall Volume Using an Expression Pedal . . . . . . . . .55
Performing with an Active Expression Voice . . . . . . . . . . . . . . . . . . . . . .56
Adding Decay to the Sound (Damper Pedal) . . . . . . . . . . . . . . . . . . . . .56
Using the Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
Performing with an Active Expression Voice . . . . . . . . . . . . . . . . . . . . . .56
Adding Decay to the Sound (Damper Pedal) . . . . . . . . . . . . . . . . . . . . .56
Using the Foot Switch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .57
Changing a Tempo of Rhythm and Automatic Accompaniment . . .62
Playing Rhythm and Automatic Accompaniment . . . . . . . . . . . . . . . . .62
Adding Variety to the Rhythm or Automatic Accompaniment . . . . .63
Playing Rhythm and Automatic Accompaniment . . . . . . . . . . . . . . . . .62
Adding Variety to the Rhythm or Automatic Accompaniment . . . . .63
(One Touch Program) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .64
Deleting a Rhythm from User Memory or USB Memory . . . . . . . . . . .65
Deleting a Rhythm from User Memory or USB Memory . . . . . . . . . . .65
Storing Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Recalling a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Automatically Registering When You Switch Panel Settings . . . . . . .67
Saving Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Loading Previously Saved Registration Sets Into the ATELIER . . . . . .70
Recalling a Registration . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .67
Automatically Registering When You Switch Panel Settings . . . . . . .67
Saving Registration Sets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .68
Loading Previously Saved Registration Sets Into the ATELIER . . . . . .70
Loading a Set of Registrations . . . . . . . . . . . . . . . . . . . . . . . . . . . . .70
Loading an Individual Registration . . . . . . . . . . . . . . . . . . . . . . . . .71
Recalling the Order that the Registrations are Saved
Loading an Individual Registration . . . . . . . . . . . . . . . . . . . . . . . . .71
Recalling the Order that the Registrations are Saved
Add a Count Sound to Match the Timing (Count In) . . . . . . . . .76
Advanced Recording Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Saving Performance Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Using Song with a Different Tempo Than That of the
Advanced Recording Methods . . . . . . . . . . . . . . . . . . . . . . . . . . . . .77
Saving Performance Songs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .81
Using Song with a Different Tempo Than That of the
Performance Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .83
Erasing Performance Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84
Erasing Performance Data . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .84