Korg Triton Studio Manuel D’Utilisation

ters (3–4a) are in the “+” area, and darker when they are in 
the “–” area.
With negative (–) settings, the sound will become darker 
when the EG levels set by Filter 1 EG “Level” and “Time” 
parameters (3–4a) are in the “+” area, and brighter when 
they are in the “–” area.

Specifies the depth and direction of the effect that the time-
varying changes created by the filter 1 EG will have on the 
filter 1B cutoff frequency (

☞“Intensity to A”).

Selects the source that will control the depth and direction of 
the effect that the time-varying changes produced by the fil-
ter 1 EG will have on the cutoff frequency of filters 1A and 
1B (“AMS List” 

Specifies the depth and direction of the effect that “AMS 
(Filter EG AMS)” will have on filter 1A. For details on how 
this will apply (

☞“Intensity to A”).

Specifies the depth and direction of the effect that “AMS 
(Filter EG AMS)” will have on filter 1B. For details on how 
this will apply (

☞“Intensity to A”).

The sum of the settings for “Velocity to A (B),” “Inten-
sity to A (B),” and “Int to A (B) (AMS Int. to A/B)” will 
determine the depth and direction of the effect pro-
duced by the filter EG.

Selects the source that will control modulation of the filter 
1A cutoff frequency (“AMS List” 

Specifies the depth and direction of the effect that “AMS1 
(Filter A AMS1)” will have.
When “AMS1 (Filter A AMS1)” is JS X, a positive (+) value 
for this parameter will cause the cutoff frequency to rise 
when the joystick is moved toward the right, and fall when 
the joystick is moved toward the left. With a negative (–) 
value

 for this parameter, the opposite will occur.

This value is added to the setting of the Filter A “Frequency 
(A Frequency)” (3–1b).

Selects “AMS2 (Filter A AMS2),” and specify the depth and 
direction of the effect that the selected source will have 
(

☞“AMS1 (Filter A AMS1),” “Intensity (A AMS1 Inten-

sity)”).

This will be displayed when “Filter Type” (3–1a) is Low 
Pass & High Pass

.

Two alternate modulation sources can be used to modulate 
the cutoff frequency of filter 1B (

☞“Filter A”).

▼ 3–2: Page Menu Command

☞0–1A: Write Program, 1–1A: Copy Oscillator, 1–1B: Swap 

Here you can use the filter 1 LFO to apply cyclic modulation 
to the cutoff frequency of filter 1 (for oscillator 1) to create 
cyclical changes in tone.

Specifies the depth and direction of the modulation that 
OSC1 LFO1 (set by “OSC1 LFO1” 5–1) will have on the cut-
off frequency of filter 1A.
Negative (–)

 settings will invert the phase.

Specifies the depth and direction of the modulation that 
OSC1 LFO1 will have on the cutoff frequency of filter 1B 
(

☞“Intensity to A (LFO1 Int. to A)”).

The joystick can be moved in the –Y direction (toward your-
self) to control OSC1 LFO1, modulating the cutoff frequency 
of filter 1A.
This parameter specifies the depth and direction of control.
Higher settings

 of this parameter will cause OSC1 LFO1 to 

have a greater effect on filter 1 when you move the joystick 
in the –Y direction (toward yourself).

The joystick can be moved in the –Y direction (toward your-
self) to control OSC1 LFO1, modulating the cutoff frequency 
of filter 1B.
This parameter specifies the depth and direction of control. 
(

☞”JS–Y Intensity to A (LFO1 JS–Y Int. to A)”)

Selects a source that will control the depth and direction of 
cutoff frequency change for both filters 1A and 1B (“AMS 
List” 

Specifies the depth and direction of the effect that “AMS 
(LFO1 AMS)” will have on filter 1A.
For example if “AMS (LFO1 AMS)” is After Touch, higher 
settings of this parameter will allow greater change to be 
applied to OSC1 LFO1 when you apply pressure to the key-
board.

3–3

3–3a

3–3b

Change in cutoff

Low setting

High setting