Korg Triton Studio Manuel D’Utilisation

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☞For details on master effects, refer to p.182 “8. Effect 
9–1: Master FX
Here you can select the type of each master effect, turn it 
on/off, and make chain and master EQ settings.
9–1a: MFX1, 2
MFX1, 2
[000...089]
MFX1, 2 On/Off
[Off, ON]
Chain
[Off, On]
Chain Direction
[MFX1
MFX2, MFX2MFX1]
Chain Signal
[LR Mix, L Only, R Only]
Chain Level
[000...127]
9–1b: Return Level
Return 1, 2
[000...127]
9–1c: Master EQ Gain [dB]
Low
[–18.0...+18.0]
Mid
[–18.0...+18.0]
High
[–18.0...+18.0]
These settings are the same as in Program mode (
☞“Pro-
gram 9–1: Master FX”).
 9–1: Page Menu Command
9–1A: Copy Master Effect
☞“Program P9: 9–1A: Copy Master Effect.”
However, the MIDI control channel that is specified by “Ctrl 
Ch” of the MFX 1 and 2 pages will not be copied.
9–1B: Swap Master Effect
☞“Program P9: 9–1B: Swap Master Effect.”
However, the MIDI control channel that is specified by “Ctrl 
Ch” of the MFX 1 and 2 pages will not be swapped.
9–2: MFX 1
9–3: MFX 2
Here you can set the parameters for the MFX 1 and 2 effects 
that were selected in the Master FX page (
9–2(3)a: Ctrl Ch
Ctrl Ch
[Ch01...16, G ch]
This parameter specifies the MIDI channel that will 
control dynamic modulation (Dmod) for the master 
effect.
G ch: 
The global MIDI channel “MIDI Channel” (Global P1: 
1–1a) will be used for control. Normally you will set this to 
G ch
.
9–4: Master EQ
The master EQ is a three-band stereo EQ. It is located imme-
diately before the AUDIO OUTPUT (MAIN OUT) L/
MONO and R from the L/R bus, and adjusts the overall 
tonal character of the sound (
9–4a: Ctrl Ch
Ctrl Ch
[Ch01...16, G ch]
This parameter specifies the MIDI channel that will 
control dynamic modulation (Dmod) for the master EQ. 
G ch: 
The global MIDI channel “MIDI Channel” (Global P1: 
1–1a) will be used for control. Normally you will set this to 
G ch
.
The MEQ High Gain and MEQ Low gain can be controlled 
by assigning a modulation source to the “Low Gain Mod-
Src:” and the “High Gain Mod-Src:” functions on this page.
Combination P9: Edit–Master FX
9–1
9–1c
9–1a
9–1b
0–1A
9–1A
9–1B
9–1
9–2a
0–1A
9–4a