Standard Horizon 24/96 Manuel D’Utilisation
Direct Pro 24/96 Owner’s Manual
16
Direct Pro 24/96 Control Panel
Master Reverb
21
DIRECT PR
O 24/96 CONTR
OL PANEL
The
Direct
Pro
24/96
Control
P
anel
is
the
the
easy
to
use
use
interface
that
completely
controls
both
the
Direct
Pro
24/96
hardware
and
its
powerful
powerful
DSP
engine.
It
is
also
also
the
first
panel
that
you’ll
see
when
you
click
on
the
Direct
Pro
24/96
IC
ON
ON
on
your
desktop.
This
entire
control
panel
is
powered
powered
by
the
the
DSP
engine
on
the
the
PCI
card.
This
means
the
Direct
Pro
24/96
features
won’t
slow
down
your
PC
so
it
it
keeps
giving
you
the
performance
you
need
to
make
make
truly
professional
record-
ings.
Note:
Y
ou
will
need
an
audio
recording
application
to
actually
actually
record
your
audio
to
your
your
computer
. This
Control
P
anel
only
acts as a software interface for the Direct
Pro
24/96
interface
box
and
the
DSP
ef-
fects.
THE PHILOSOPHY
The
Direct
Pro
24/96
was
designed
from
the
ground
up
to
be
an
All-In-One
be
an
All-In-One
solution
for
PC
recording.
This
means
that
you
don’t
have
to
get
get
an
outboard
mixer
and
effects
to
get
get
no-latency
monitoring
with
your
audio
card.
The
Direct
Pro
24/96
gives
you
all
the
the
capability
of
these
these
devices
in
one
one
easy
to
use
use
system
and
this
Control
P
anel
is
the
focal
point
of
the
the
whole
process.
K
eep
in
mind
mind
that
all
of
the
of
the
features
in
this
this
control
panel
use
the
powerful
DSP
engine,
so
not
not
only
is
ever
ever
ything
in
Real-
Real-
Time,
but
it
also
won’t
slow
down
your
com-
puter
.
1
0 INPUT/ 2 OUTPUT MIXER
The
center
of
most
most
professional
studios
is
the
the
mixer,
and
the
same
is
true
true
with
the
Direct
Pro
24/96.
In
our
case,
however
,
the
mixer
is
software
software
based.
This
1
0
channel
channel
mixer
has
1
0
inputs
inputs
and
one
stereo
MONIT
OR
output.
The
first
of
the
the
1
0
inputs
inputs
are
the
4
physical
physical
inputs
(2
mic/line
mic/line
+
2
from
from
either
Mic/
Line
or
S/PDIF).
S/PDIF).
The
other
6
inputs
inputs
are
6
playback
playback
channels
that
have
already
been
recorded
in
your
your
multitrack
software.
Y
ou
can
record
up
to
4
4
tracks
at
once
once
with
the
Direct
Pro.
Each
of
the
the
6
playback
channels
can
play
back
multiple
tracks
from
your
multitrack
software
application.
The
amount
of
tracks
tracks
available
to
you
you
is
limited
only
be
your
your
CPU
, RAM,
and
hard
drive
speed.
All
of
the
of
the
mixers
channels,
input
and output, can be heard though a single stereo pair by using the MONIT
OR output.
Master Reverb
This
reverb
can
be
sent
to
as
many
as
many
chan-
nels
as
you
you
wish,
by
using
the
channel’s
reverb
send.
The
Reverb
send
only
ad-
justs
how
much
of
the
the
master
reverb
each
channel
receives.
Adjustments
to
the
the
ef-
fect are performed in this section.
Note: In order to record our reverb in
your multitrack software, you must select recording inputs 5,6. These inputs do not correspond to
physical inputs on the breakout box. Rather, they are virtual inputs that record the monitor mix.
•
DECA
DECA
Y
: This determines how long the reverberated signal will last
•
DIFFUSION: Determines the amount of time early reverb reflections will precede late reflections. F
DIFFUSION: Determines the amount of time early reverb reflections will precede late reflections. F
or
realistic reverb, make sure the diffusion is less than the decay time.
•
BRIGHTNESS:
BRIGHTNESS:
At
its
highest
its
highest
setting,
brightness
filters
no
treble
from
the
reverberated
signal.
In
real
real
life,
treble
is
reduced
as
a
a
signal
reverberates.
Brightness
will
allow
you
to
find
find
the
perfect
mix
of
clarity
clarity
and realism.
•
R
R
OOM
SIZE:
This
determines
the
size
of
the
the
room
our
reverb
simulates.
This
can
be
anything
from
a
small
room
to
a
a
large
cathedral.
T
o
change
room
size,
simply
click
on
the
the
current
room,
and
select
your
desired room.
5) Reverb Send
The
reverb
send
knob
determines
how
much
of
the
the
master
reverb
is
applied
applied
to
the
the
incoming
signal.
For more details about our effects, please look at our effects section.
6) Input V
olume F
aders