Apple Shake 4 (Linux) Render Licence D3420Z/A Manuel D’Utilisation
Codes de produits
D3420Z/A
4
Product Overview
Shake 4
Shake 4
New in Shake 4
If you’re already familiar with Shake, you can look forward to breakthrough new
features in Shake 4, including:
features in Shake 4, including:
Unifi ed 2D/3D Compositing
The powerful compositing tools in Shake have been expanded in Shake 4 to make it
easy to work with both 2D and 3D elements within the same intuitive user interface.
Shake 4 also includes additional levels of quality and control for key aspects of
compositing, including tracking, keying, and matte operations.
easy to work with both 2D and 3D elements within the same intuitive user interface.
Shake 4 also includes additional levels of quality and control for key aspects of
compositing, including tracking, keying, and matte operations.
•
3D multiplane compositing. Shake 4 o∂ ers the ability to composite unlimited
layers in 3D space for seamless blending of live action and CGI. You can import Maya-
compatible camera data or add camera animation in Shake. View top, side, front, and
camera angles simultaneously for easier positioning of layers; get real-time feedback
through the power of GPU acceleration.
layers in 3D space for seamless blending of live action and CGI. You can import Maya-
compatible camera data or add camera animation in Shake. View top, side, front, and
camera angles simultaneously for easier positioning of layers; get real-time feedback
through the power of GPU acceleration.
•
Enhanced Node View. The enhanced Node View in Shake 4 makes it possible to
navigate composites in the Node View faster and with more extensive customization.
Drag nodes over noodles for automatic insertion into a tree. Display color-coded data
paths for di∂ erent bit depths, Concatenation, Expression links, and animated nodes.
You can even save Favorite Views that allow you to jump quickly to specifi c areas of
a node tree.
navigate composites in the Node View faster and with more extensive customization.
Drag nodes over noodles for automatic insertion into a tree. Display color-coded data
paths for di∂ erent bit depths, Concatenation, Expression links, and animated nodes.
You can even save Favorite Views that allow you to jump quickly to specifi c areas of
a node tree.
•
Tracking on rotoshape points. Previously, animating rotoshapes was a slow, manual
process. Shake 4 makes it possible to automate rotoscoping tasks by attaching track-
ing points to control vertices. Create moving mattes by attaching trackers to points on
a rotoshape. You can also use tracked shapes for creating masks or for moving warps
and morphs.
process. Shake 4 makes it possible to automate rotoscoping tasks by attaching track-
ing points to control vertices. Create moving mattes by attaching trackers to points on
a rotoshape. You can also use tracked shapes for creating masks or for moving warps
and morphs.
•
32-bit Keylight and Primatte. Shake 4 o∂ ers improved keying quality through the
precision of full 32-bit fl oating-point processing. You can now use OpenEXR, Cineon,
and DPX fi les for keying without clipping white values. Maintain 32-bit fl oat fi lm
quality throughout the entire composite, or optimize performance by choosing 8-,
16-, or 32-bit processing.
precision of full 32-bit fl oating-point processing. You can now use OpenEXR, Cineon,
and DPX fi les for keying without clipping white values. Maintain 32-bit fl oat fi lm
quality throughout the entire composite, or optimize performance by choosing 8-,
16-, or 32-bit processing.
•
Truelight monitor calibration. Shake 4 makes it easy to ensure the look of the fi nal
fi lm throughout your compositing process. With Truelight monitor calibration, you
can previsualize fi lm images on a computer screen. This allows you both to reduce
workfl ow time and to save the cost of fi lm outs. A Truelight node can be placed
anywhere in the composite or as a viewer script; select from various fi lm profi les or
save facilitywide custom lookup tables.
fi lm throughout your compositing process. With Truelight monitor calibration, you
can previsualize fi lm images on a computer screen. This allows you both to reduce
workfl ow time and to save the cost of fi lm outs. A Truelight node can be placed
anywhere in the composite or as a viewer script; select from various fi lm profi les or
save facilitywide custom lookup tables.