Alesis micron Manuel D’Utilisation
5
Setups
46
h. Transposition
Adjust the transposition over a four-octave range. This does
not affect the MIDI notes that the part responds to. It
simply
changes the pitch at which the program is played.
not affect the MIDI notes that the part responds to. It
simply
changes the pitch at which the program is played.
i. Latch
Set the latch status of the part to latched or not latched. The
default is not latched.
When latch is on, the part will continue playing after you
remove your hands from the keys, as if the sustain pedal were
held down. To release the latched notes, let up on all of the
keys and then play a new note or chord. To stop the part
entirely, switch to another setup or press a mode button.
Latching is especially useful when you have more parts than
you have hands, or if your parts don't all fit within the
Micron's three-octave key range. If your bassline and pad
parts are latched, you can simply let them play on their own
while you use both hands to play the lead, and then return to
them when it’s time for a chord change.
Latching with the [latch] button is similar. If you hold down
the
[latch] button and play an unlatched part, it will become
latched as long as the button is activated.
default is not latched.
When latch is on, the part will continue playing after you
remove your hands from the keys, as if the sustain pedal were
held down. To release the latched notes, let up on all of the
keys and then play a new note or chord. To stop the part
entirely, switch to another setup or press a mode button.
Latching is especially useful when you have more parts than
you have hands, or if your parts don't all fit within the
Micron's three-octave key range. If your bassline and pad
parts are latched, you can simply let them play on their own
while you use both hands to play the lead, and then return to
them when it’s time for a chord change.
Latching with the [latch] button is similar. If you hold down
the
[latch] button and play an unlatched part, it will become
latched as long as the button is activated.
j. Controllers
Activate any combination of the (pitch) wheel and the (m1)
and (m2) sliders for this part.
You will often want each controller to affect just a single part.
For example, you might want the (pitch) wheel to bend the
lead, or the (m2) slider to sweep the filter of your pad. To
assign a controller exclusively to the current part, hold down
the [setups] buttons and wiggle the controller. This will not
only enable the controller for this part, but will also disable
the controller in all other parts.
and (m2) sliders for this part.
You will often want each controller to affect just a single part.
For example, you might want the (pitch) wheel to bend the
lead, or the (m2) slider to sweep the filter of your pad. To
assign a controller exclusively to the current part, hold down
the [setups] buttons and wiggle the controller. This will not
only enable the controller for this part, but will also disable
the controller in all other parts.
Some transposition tips
The Micron’s compact
keyboard makes transposition
especially important.
Some lush sounds can be
made by combining some
programs at standard pitch
with others transposed an
octave or two higher or
lower, but reduced in level.
Some classic synthesizer
sounds combine one non-
transposed part with another
– lower in level – a fifth
above (that’s plus-seven
semitones). While this setting
violates every rule held
sacred by harmony
professors, you may be
among the many who find it
very cool.
The Micron’s compact
keyboard makes transposition
especially important.
Some lush sounds can be
made by combining some
programs at standard pitch
with others transposed an
octave or two higher or
lower, but reduced in level.
Some classic synthesizer
sounds combine one non-
transposed part with another
– lower in level – a fifth
above (that’s plus-seven
semitones). While this setting
violates every rule held
sacred by harmony
professors, you may be
among the many who find it
very cool.