Yamaha Pro Yamaha EMX2 Manuel Du Propriétaire
Page 1
POWERED MIXER
Introduction
Thank you and congratulations on your purchase of the Yamaha Powered Mixer EMX2.
Please read this manual thoroughly to get the most out of the product and ensure long-
term, trouble-free use. After reading this manual, keep it readily available for future
reference.
Please read this manual thoroughly to get the most out of the product and ensure long-
term, trouble-free use. After reading this manual, keep it readily available for future
reference.
* Please read the “Precautions” on the back.
Main Features
r 500-watt power amplifier for versatility in a wide variety of performance applications
r 10-channel mixer with four mono mic/line and three stereo line input channels, supporting
r 10-channel mixer with four mono mic/line and three stereo line input channels, supporting
a wide range of inputs
r Yamaha’s high-quality SPX reverb, providing optimum processing for instruments or
vocals
r Feedback Suppressor, which automatically cuts and prevents undesirable feedback noise
r Independent three-band equalizer on each channel for tonal adjustment and sound
r Independent three-band equalizer on each channel for tonal adjustment and sound
control
Accessories (Please check that they are included with
your powered mixer.)
your powered mixer.)
r AC power cord (2 m)
r Technical Specifications (English only): Includes general specifications, input/output
r Technical Specifications (English only): Includes general specifications, input/output
characteristics, a block diagram, dimensions, and a jack and plug list.
r Owner’s Manual (this leaflet)
Quick Start Guide
Setup
1
Make sure that all switches, including the mixer’s power switch
[
[
], are not on (
N). Use the mixer with the operating panel facing up.
Connecting speakers, microphones, instruments,
and audio devices
and audio devices
2
Refer to the connection example in the illustration below.
Connection Example
Set to “8Ω” if speakers
are connected as
shown in the figure
above.
are connected as
shown in the figure
above.
Micro-
phones
Micro-
phones
Electric
acoustic
guitar
Electric
guitar
guitar
Keyboard
Audio
device
Portable
audio
player
Footswitch
(Yamaha FC5)
See “Precautions for
Connecting the
Speakers” below.
Connecting the
Speakers” below.
Passive speakers
(Impedance: 8 Ω)
(Impedance: 8 Ω)
Precautions for Connecting the Speakers
6 Ω
Set to “4Ω.”
Parallel connection
8 Ω
8 Ω
Set to “4Ω.”
r You must set the [IMPEDANCE SELECT] switch correctly
according to the connection method and number of
speakers. Be sure that the impedance of your speakers is
no less than the impedance that you set on the mixer.
Setting this switch incorrectly could result in damage to
the mixer/your speakers.
speakers. Be sure that the impedance of your speakers is
no less than the impedance that you set on the mixer.
Setting this switch incorrectly could result in damage to
the mixer/your speakers.
Actual speaker impedance* [IMPEDANCE SELECT] switch
4 Ω to less than 8 Ω
Set to “4Ω.”
8 Ω and over
Set to “8Ω.”
If you are unsure of the
impedance of the connected
speakers
impedance of the connected
speakers
Set to “4Ω.”
* For parallel connections: synthetic impedance
r Make sure to insert the speaker cables all the way inside
until secure. Failure to do so may result in damage to your
equipment.
equipment.
r Use speaker cables with an insulated-housing connector.
Getting sound to the speakers
3
Connect the included power cord.
First, connect it to the mixer’s [AC IN] jack, then to
a power outlet.
a power outlet.
NOTE
Reverse the order when removing the power cord.
Equalizer
4
Turn the mixer’s
[LEVEL] controls (white
knobs) and [MASTER
LEVEL] control (red
knob) to the minimum
(zero). Also, set the
equalizer controls
(green knobs) to the
center “
[LEVEL] controls (white
knobs) and [MASTER
LEVEL] control (red
knob) to the minimum
(zero). Also, set the
equalizer controls
(green knobs) to the
center “
D” or “MUSIC”
position.
5
Set the [
N
MIC /
O
LINE] switch
to the “
N
MIC” position for
microphone connection, and to
the “
the “
O
LINE” position for
connection of an instrument or
audio device.
audio device.
NOTE
If you are using condenser microphones,
turn on the [PHANTOM (CH1/2)] switch.
turn on the [PHANTOM (CH1/2)] switch.
6
Turn on the power of the
connected sound source (if
applicable), then the mixer.
connected sound source (if
applicable), then the mixer.
The [POWER] LED lights.
WARNING
To avoid any loud, unexpected noise from the
speaker, first turn off the power to the mixer, then
the connected sound source (such as an
instrument or audio device).
speaker, first turn off the power to the mixer, then
the connected sound source (such as an
instrument or audio device).
7
For channels to which a microphone, instrument, or audio device
is connected, set [LEVEL] to the “
is connected, set [LEVEL] to the “
D” position.
8
While outputting sound from the microphone, instrument, or
audio device, slowly turn the [MASTER LEVEL] to the right until
you reach the optimal volume.
audio device, slowly turn the [MASTER LEVEL] to the right until
you reach the optimal volume.
9
Adjust [LEVEL] on each channel as necessary to set the volume
balance between the microphone, instrument, and audio device.
balance between the microphone, instrument, and audio device.
AC IN
Controls and Functions
Applying Reverb
The EMX2 features a built-in reverb processor that is in the same league as our famed
SPX effect processor series. This reverb lets you simulate the acoustics of different
performance environments, such as concert halls and small clubs, and add warm,
natural ambience to your vocals or instrument performance.
SPX effect processor series. This reverb lets you simulate the acoustics of different
performance environments, such as concert halls and small clubs, and add warm,
natural ambience to your vocals or instrument performance.
1
Press the [REVERB] button to turn it on.
The LED lights when REVERB is on.
2
Turn the REVERB [TYPE/TIME] control to the
desired reverb type and time (length).
desired reverb type and time (length).
Turning the control to the right lengthens the time of the
selected reverb type.
selected reverb type.
Short
Long
Making optimum volume settings
When the volume is too loud
Turn the [LEVEL] control to the minimum (zero). Set the
[
[
N
MIC/
O
LINE] switch to the “
O
LINE” position, then slowly
raise the [LEVEL] control until the desired volume is reached.
When the volume is too soft
Turn the [LEVEL] control to the minimum (zero). Set the
[
[
N
MIC/
O
LINE] switch to the “
N
MIC” position, then slowly
raise the [LEVEL] control until the desired volume is reached.
3
Use the [REVERB] control to adjust the reverb amount of the
corresponding channel.
corresponding channel.
If necessary, repeat steps 2 and 3 to determine the optimum reverb setting.
1
2
3
1 Mic/Line input jacks (channels 1– 4)
Connect microphones, guitars, electronic musical instruments
or audio devices. Channels 3 and 4 provide combo jacks that
support both XLR and phone plugs.
or audio devices. Channels 3 and 4 provide combo jacks that
support both XLR and phone plugs.
XLR
Phone
2 [
N
MIC /
O
LINE] switches (channels 1– 4)
For low-level signals (including microphones), set the switch to
the “
the “
N
MIC” position. For high-level signals (including
electronic instruments and audio devices), set the switch to the
“
“
O
LINE” position.
3 [Hi-Z] switch (channel 4)
This switch is used when connecting a device directly to the
mixer without a DI (direct injection box) — for example,
instruments with passive pickups, such as an acoustic-electric
guitar or electric bass without battery. This function is effective
only for the phone jack input.
mixer without a DI (direct injection box) — for example,
instruments with passive pickups, such as an acoustic-electric
guitar or electric bass without battery. This function is effective
only for the phone jack input.
4 [LINE] input jacks (channels 5/6, 7/8, 9/10)
Connect line-level devices such as electronic instruments,
acoustic-electric guitars, CD players, and portable audio
players. These jacks support phone, RCA-pin, and stereo-mini
plugs.
acoustic-electric guitars, CD players, and portable audio
players. These jacks support phone, RCA-pin, and stereo-mini
plugs.
RCA-pin
Stereo-mini
NOTE
For the channel 7/8 input, if both phone and RCA-pin jacks are
used at the same time, the phone jack will take priority. For the
channel 9/10 input, if both phone and stereo-mini jacks are
used at the same time, the stereo-mini jack will take priority.
The signal from the device connected to another jack will be
muted.
used at the same time, the phone jack will take priority. For the
channel 9/10 input, if both phone and stereo-mini jacks are
used at the same time, the stereo-mini jack will take priority.
The signal from the device connected to another jack will be
muted.
5 [MONITOR OUT] jacks
These are for connection to a powered speaker for monitoring
purposes, and output a mix of the signals from channels 1 to
9/10. You can adjust the output level using the [MONITOR OUT]
control
purposes, and output a mix of the signals from channels 1 to
9/10. You can adjust the output level using the [MONITOR OUT]
control
!. If only the [L (MONO)] jack is used, the signals from
the L and R channels are mixed and output.
6|[SUBWOOFER OUT] jack
This is for connection to a powered subwoofer, and outputs a
mono signal. If this jack is in use, the low frequencies below
120 Hz to the [SPEAKERS L/R] jacks will be cut. The output
level is linked to that of the [MASTER LEVEL] control (
mono signal. If this jack is in use, the low frequencies below
120 Hz to the [SPEAKERS L/R] jacks will be cut. The output
level is linked to that of the [MASTER LEVEL] control (
C).
7 [REVERB FOOT SW] jack
This is for connection to an unlatched-type footswitch such as
the Yamaha FC5 — useful for solo performers, since you can
toggle the reverb on and off as needed with your foot.
the Yamaha FC5 — useful for solo performers, since you can
toggle the reverb on and off as needed with your foot.
8 [SPEAKERS L/R] jacks
Use commercially available speaker cables to connect the
speakers. These jacks support TS phone plugs.
speakers. These jacks support TS phone plugs.
9 [IMPEDANCE SELECT] switch
Set this switch to match the impedance of the connected
speakers. If you are unsure of the impedance of the connected
speakers, set this switch to “4Ω”. Changing this setting changes
the maximum output from the amp and changes the conditions
for which the [LIMITER] LED comes on.
speakers. If you are unsure of the impedance of the connected
speakers, set this switch to “4Ω”. Changing this setting changes
the maximum output from the amp and changes the conditions
for which the [LIMITER] LED comes on.
NOTICE
r Make sure the power switch is off before changing the setting of this
switch.
r Setting this switch incorrectly could result in damage to the mixer/your
speakers.
) [PHANTOM (CH1/2)] switch/LED
When this switch is on, the LED lights indicating that phantom
power is available for channels 1 and 2. Turn this switch on to
supply power to condenser microphones or a DI (direct
injection box).
power is available for channels 1 and 2. Turn this switch on to
supply power to condenser microphones or a DI (direct
injection box).
NOTICE
Follow the important precautions below, in order to prevent noise and
possible damage to external devices and the mixer when you operate
this switch.
possible damage to external devices and the mixer when you operate
this switch.
r Be sure to leave this switch off if you do not need phantom power, or
when you connect a device that does not support phantom power to
channels 1 and 2.
channels 1 and 2.
r Do not connect/disconnect a cable to/from channel 1 or 2 while this
switch is on.
r Turn the [LEVEL] control of channels 1 and 2 to the minimum before
operating this switch.
! [MONITOR OUT] control
Determines the signal level output from the [MONITOR OUT]
jacks (
jacks (
5). The [MASTER LEVEL] control does not affect the
[MONITOR OUT] signal.
@ Equalizer controls [HIGH, MID, LOW]
The equalizer shapes the [HIGH], [MID], and [LOW] audio
frequencies. Turning the control to the right amplifies (boosts)
the corresponding frequency band, while turning it to the left
attenuates (cuts) the band. Setting the control to the “
frequencies. Turning the control to the right amplifies (boosts)
the corresponding frequency band, while turning it to the left
attenuates (cuts) the band. Setting the control to the “
D”
position produces a flat response in the corresponding band.
# [REVERB] button/LED
When this button is on, the LED lights indicating that you can
apply reverb. This button is off when you turn on the mixer.
(Unlike other switches, this button cannot be locked.)
apply reverb. This button is off when you turn on the mixer.
(Unlike other switches, this button cannot be locked.)
$ REVERB [TYPE/TIME] control
Determines the reverb type and its length. Turning the control to
the right lengthens the time of the selected reverb type.
the right lengthens the time of the selected reverb type.
“HALL”: Simulated reverb of a large space, such as a
concert hall.
“PLATE”: Simulated metal plate reverb, producing a more
hard-edged and bright sound.
“ROOM”: Simulated acoustic ambience of a small room.
“ECHO”: Echo effect suitable for vocals.
% [REVERB] controls (channels 1– 4)
Determines the amount of reverb for each channel when the
[REVERB] button (
[REVERB] button (
#) is on.
^ [
N
STEREO /
O
MONO] switches
(channels 5/6, 7/8, 9/10)
Setting the switch to “
N
STEREO” will assign the signals from
the L and R channels to each left and right speaker and output
each signal. Setting the switch to “
each signal. Setting the switch to “
O
MONO” will mix the output
of different L and R sources to output the same signal to both
the left and right speakers. For keyboards with mono output,
guitars, or other non-stereo sound sources, when the switch is
set to “
the left and right speakers. For keyboards with mono output,
guitars, or other non-stereo sound sources, when the switch is
set to “
O
MONO”, the stereo jacks can be conveniently used as
multiple mono jacks.
& Level meter
The level meter shows the level of output signal from the
[SPEAKERS L/R] jacks.
[SPEAKERS L/R] jacks.
NOTICE
If used at a high volume so that the [LIMITER] LED flashes continuously,
the internal power amplifier section is being excessively overloaded and
may malfunction. Reduce the output level with the [MASTER LEVEL]
control so that the indicator flashes only briefly on the highest transient
peaks.
the internal power amplifier section is being excessively overloaded and
may malfunction. Reduce the output level with the [MASTER LEVEL]
control so that the indicator flashes only briefly on the highest transient
peaks.
* [POWER] LED
This LED lights when the power is turned on by pressing the
power switch.
power switch.
( [FEEDBACK SUPPRESSOR] switch/LED
When this switch is on, the LED lights indicating that feedback
is automatically suppressed. (This utilizes a seven-band notch
filter. When this switch or the power switch is off, the notch filter
will be reset.)
is automatically suppressed. (This utilizes a seven-band notch
filter. When this switch or the power switch is off, the notch filter
will be reset.)
A [LEVEL] controls
Use these controls to adjust the volume for each channel. To
reduce noise, set any [LEVEL] controls on unused channels to
the minimum.
reduce noise, set any [LEVEL] controls on unused channels to
the minimum.
B [MASTER EQ] control
Use this control to adjust the overall sound frequency balance.
The center position “MUSIC” is a basic setting and if you turn
the control to the left, this creates an optimum setting for
speech, cutting unneeded low range frequencies. Turning the
control to the right creates an optimum setting for playback of
sound sources, by boosting the low and high ranges. If you turn
the control further to the right, the [BASS BOOST] LED lights
indicating that the bass boost function is active, giving you an
even more powerful bass tone.
The center position “MUSIC” is a basic setting and if you turn
the control to the left, this creates an optimum setting for
speech, cutting unneeded low range frequencies. Turning the
control to the right creates an optimum setting for playback of
sound sources, by boosting the low and high ranges. If you turn
the control further to the right, the [BASS BOOST] LED lights
indicating that the bass boost function is active, giving you an
even more powerful bass tone.
C [MASTER LEVEL] control
Determines the volume of the signal output from the
[SPEAKERS L/R] and [SUBWOOFER OUT] jacks. This allows
you to adjust the overall volume without changing the relative
volume balance among the various channels.
[SPEAKERS L/R] and [SUBWOOFER OUT] jacks. This allows
you to adjust the overall volume without changing the relative
volume balance among the various channels.
D Vents
There are vents located on both sides of the mixer, and a
cooling fan is installed on the exhaust side. Do not block the
vents on either side when using the mixer.
cooling fan is installed on the exhaust side. Do not block the
vents on either side when using the mixer.
E [AC IN] jack
Connect the included power cord here.
F [
] (Power) switch
For turning the power of the mixer on (
O
) and off (
N
).
NOTICE
Rapidly turning the mixer on and off in succession can cause it to
malfunction. After turning the mixer off, wait for about 10 seconds before
turning it on again.
malfunction. After turning the mixer off, wait for about 10 seconds before
turning it on again.
Owner’s Manual
ZR97470
EN
AC IN
1
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*
(
)
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#
$
C
B
E
D
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4
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^
F
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