Behringer Virtualizer 3D FX2000 Manuel D’Utilisation

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VIRTUALIZER 3D FX2000 User Manual
Connect both inputs of the VIRTUALIZER 3D to the aux send outputs of your 
mixer. The FX2000’s output socket is connected to the aux return inputs of 
your mixer. If you want to operate the BEHRINGER VIRTUALIZER 3D in mono, 
connect one of its channels (left or right) to an aux bus. As a matter of principle, 
effects processors should always be connected to post fader aux busses.
◊ 
If your mixing console has aux busses that feature one jack for the aux 
send, use audio channel 1 on the FX2000. In this case, you must choose 
the mono mode (see chapter 3.6.2).
◊ 
To avoid damage to your equipment, turn down the volume level on 
your amplifier when making connections. Switch off the devices that 
you want to connect to one another until plug connections have been 
completed as described.
Let’s assume you want to operate the FX2000 in a live situation in connection 
with a mixing console, and use a chorus to enhance the guitar sound.
Connect the VIRTUALIZER 3D to the aux busses of your mixing console (fig. 4.1). 
Make the mains connection and set the operating level if necessary. Switch on 
the unit. In SETUP mode (output), select “EXTN” to ensure that the Mix External 
mode is activated. Press the effect key and use the Jog Wheel to select the stereo 
chorus effect (no. 16). Turn up the aux busses slowly till you have mixed the 
desired effect with the guitar signal. After this, you can start fine tuning. You will 
probably want to specify the chorus’ modulation. Turn the 1st EDIT CONTROL to 
determine the speed of the modulation. To adjust the modulation depth, turn the 
2nd EDIT CONTROL. Proceed further following this principle. If you want the 
1st EDIT CONTROL to change EDIT E, you must first press the EDIT key. After all the 
parameters have been changed as you wish, you can store the modifications in 
the original (or a different) preset.
4.3  Using the VIRTUALIZER 3D in the 
insert path
Generally, you can use the FX2000 on channel or subgroup inserts, using a 
standard insert cable. Connection to a channel insert makes sense when you 
want to process very specific signals (e.g. vocals) with the VIRTUALIZER 3D, 
or when all other options for connecting the FX2000 are already used by 
other units. For compressors, expanders and gates, the channel insert is the 
best choice.
Channel
Insert
Subgroup
Insert
Fig. 4.2: Wiring the VIRTUALIZER 3D in the insert path
4.4  Using the VIRTUALIZER 3D as an effects 
device for instruments
Due to its MIDI implementation, the VIRTUALIZER 3D can also be used as 
multi-effects unit in a guitar rack. Naturally, the VIRTUALIZER 3D can be cabled 
both as mono and as stereo unit. The following examples show how to use the 
FX2000 with a guitar setup.
In
Send
Effects Loop
Return
Out
Fig. 4.3: Connecting the VIRTUALIZER 3D to a guitar amp (send/return mono)
Fundamentally, the following applies: The VIRTUALIZER 3D should be connected 
between preamp and output stage of your amplifier. For this purpose, most of 
the guitar amplifiers offer an effects loop, which allows the preamp signal of 
your amplifier to pass on to the audio input stage of the FX2000. Then, in the 
VIRTUALIZER 3D, the preamp signal is processed and sent back to its amplifier 
through the amplifier’s return jack (Power Amp In). If you use a stereo rack 
system for amplification, you can also set up the VIRTUALIZER 3D in stereo mode. 
Connect the preamp to the audio inputs of the FX2000. Each of its audio outputs 
(left/right) is connected to a channel (left/right) of your amplifier.
◊ 
Since most guitar amps only feature a serial effects loop, you should 
make sure that the VIRTUALIZER 3D is set to Mix Internal mode. In Mix 
Internal mode, you can control the effects intensity that is applied to 
the guitar signal. If, however, your amp is equipped with a parallel 
effects loop, which allows for adding the effects signal portion 
(similar to an aux bus in a mixing console), then you should set the 
VIRTUALIZER 3D to Mix External mode. In this case, the effects intensity 
present at the outputs of the VIRTUALIZER 3D is 100%.
Instrumentalists can benefit from a variety of advantages offered by the 
VIRTUALIZER 3D‘s MIDI implementation. With a MIDI foot controller, e.g. the 
BEHRINGER MIDI FOOT CONTROLLER FCB1010, you can transfer program changes 
via MIDI. Connect the MIDI out port of your foot controller to the MIDI IN port 
of the VIRTUALIZER 3D. If the FX2000 does not respond to your foot controller’s 
program changes, check your MIDI channel settings. Determine which MIDI 
channel your foot controller uses to send program changes (in most of the cases: 
omni mode). Set the VIRTUALIZER 3D’s MIDI channel to the same number and 
switch program change receive mode on (see chapter 3.6.1).
If your MIDI foot controller can send MIDI controller data, you can change 
parameters while playing.  For example, you can change the effect from 0% to 
100% with the controller while playing. Set controller No. 116 to the Mix Internal 
function (value 1) and increase the effect (value 0 - 100) with controller No. 111. 
In this way, you can provide a guitar solo with chorus and delay, before removing 
the effects for a dry rhythm sound. You can even control the bypass function 
with your controller (contr. 113, value 0 = OUT, value 1 = IN). Bypassing the 
VIRTUALIZER 3D can be activated this way if you need an unprocessed signal. 
These procedures are generally possible with all MIDI devices which are capable 
of transmitting controller commands (like keyboards, sequencers, etc.).
The FX2000 can also be used between the outputs of your keyboard and 
the inputs of your mixer. If necessary, adjust the operating level with the 
corresponding switch on the rear panel of the unit.