Quantum QT600 Manuel D’Utilisation

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5
ENGLISH
Quantum
TM
QT 600 Manual
Welcome to the quantum
leap for bass players!  
The energy of a low-frequency impulse that you can feel physically,
the hot breath of a tube amp, the sound precision of high-end studio
gear. In short: perfect sound and feel when you play are the
benchmark of Quantum™ bass amps. The unique combination 
of classic and innovative technologies makes for a new class of 
bass amplification that offers discerning working bass players 
a previously unimaginable degree of musicality, control, and
transportability.
Here’s wishing you fun and success with your Quantum™ QT600!
Table of CONTENTS
1.  Preamp  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
1.1  Tube Touch Circuit™ 
6
1.2  Active and Passive
6
1.3 Gain
6
1.4 Hot
6
1.5 Mute
6
2.  Equalizer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
2.1  Pure Parallel™ technology
6
2.2 Punch
7
2.3 Bass
7
2.4 Bass Shape
7
2.5 Low Mid
7
2.6 Mid Boost
7
2.7 High Mid
7
2.8 Treble
7
2.9 HF Character
7
3.  Tube Growl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
3.1 Tube saturation and compression
8
3.2 Tube Growl
8
3.3 Fat
8
4.  Poweramp  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
4.1 Dynavalve™ technology
8
4.2 Master
9
4.3 Impedance Slelector
9
5.  Additional connections and controls  . . . . . . . . . . . . . . . . . . . . 9
5.1 Fx Loop
9
5.2 Line Out
9
5.3 Di Out
9
5.4 Tuner
9
5.5 Headphones
9
5.6 Footswitch
10
5.7 Speaker Out
10
6. Standard setup / Cable connections  . . . . . . . . . . . . . . . . . . . . . . 10
7. Service and maintenance  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
8. Troubleshooting  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
9. Technical specifications  . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Appendix: Quantum™ Pro Speaker-Cabinets  . . . . . . . . . . . . . . . 12