Behringer Xenyx XL1600 Manuel Du Propriétaire
11
XENYX XL3200/XL2400/XL1600 User Manual
LOW MID
A second semi-parametric peak filter processes the upper mid range. The FREQ
A second semi-parametric peak filter processes the upper mid range. The FREQ
control selects the frequency which is boosted or cut by using the HIGH MID control.
LOW
The low-frequency range is processed with a shelving filter below 80 Hz.
The low-frequency range is processed with a shelving filter below 80 Hz.
EQ
The EQ push-button switch activates the equalizer. Toggle the EQ to give you a
The EQ push-button switch activates the equalizer. Toggle the EQ to give you a
quick comparison between unprocessed and processed signal.
5.1.1 FX, MON, AUX send paths
The send paths FX, MON and AUX allow you to tap the signals of one or more
channels and route them to other outputs. This way you can create individual mixes
for effects (FX) and musicians performing on stage (MON). Using the FX/MON/AUX
send outputs, the mix is fed to the stage loudspeakers and effects units.
FX 1 and FX 2
The FX buses are used as send paths to external effects units. The signal is usually
The FX buses are used as send paths to external effects units. The signal is usually
tapped after the channel fader and therefore is affected by the position of the
channel fader.
The FX control adjusts the volume level of the channel signal to the effects unit.
The FX control adjusts the volume level of the channel signal to the effects unit.
PRE
Press the PRE switch to change the routing of both effects paths from
Press the PRE switch to change the routing of both effects paths from
“
post-fader
”
to “pre-fader.” This way the volume level of the effects signal is not
affected by the channel fader.
Both the FX control on the channel and the corresponding Master FX SEND control
Both the FX control on the channel and the corresponding Master FX SEND control
need to be fully turned up as well. Connect the FX Send output to the input of the
effects unit. The effects signal is routed back through the FX Returns found in the
master section.
Monitor 1 and 2:
The monitor buses are used as send paths to stage monitors. The monitor sends
The monitor buses are used as send paths to stage monitors. The monitor sends
are hardwired pre-fader. This means the volume level of the monitor mix is not
affected when using the channel fader.
The MON control adjusts the volume level of the channel signal in the
The MON control adjusts the volume level of the channel signal in the
monitor buses.
AUX
The aux buses are used as additional, flexible send paths for various applications.
The AUX control adjusts the volume level of the channel signal in the aux buses.
The sum of all aux signals is determined by the corresponding AUX SEND control
The aux buses are used as additional, flexible send paths for various applications.
The AUX control adjusts the volume level of the channel signal in the aux buses.
The sum of all aux signals is determined by the corresponding AUX SEND control
found in the main section. The signals can be routed from the corresponding
AUX SEND outputs. Both the aux send paths can be amplified up to +15 dB and
are pre-fader and post-fader switchable in the main section.
Pre-fader or post-fader:
For most applications using external effects signals, the aux send path should be
For most applications using external effects signals, the aux send path should be
switched to post-fader so that the effects volume level in a channel is affected by
the position of the channel fader. If not, the effects signal would be audible even
with a pulled down fader. For monitoring applications, the aux send paths are
usually switched to pre-fader and therefore are not affected by the channel fader.
To offer you the utmost flexibility, the FX buses can be switched to pre-fader in
each channel. What's more, you may switch the AUX buses in the main section
between pre-fader and post-fader. This gives you a maximum of 6 pre-fader
buses or, alternatively, 4 post-fader plus 2 pre-fader buses.
5.1.2 Channel fader, pan control, mute control, etc.
PAN
The PAN control determines the position of the channel signal in the stereo mix
The PAN control determines the position of the channel signal in the stereo mix
as well as the subgroup to which the channel signal is routed.
MUTE
The MUTE switch mutes the channel. This means that the channel signal has been
The MUTE switch mutes the channel. This means that the channel signal has been
removed from the main mix and subgroups. At the same time the FX, monitor
and aux paths of the respective channel are muted as well. The corresponding
MUTE LED indicates that the channel has been muted.
SOLO
Use the solo function to listen in on a channel. Press the channel's SOLO switch to
Use the solo function to listen in on a channel. Press the channel's SOLO switch to
hear the signal on your headphones. Simultaneously, the monitor meter 1/2 switches
to the solo signal, allowing you to level the signal correctly (see chapter X). The signal
to be listened in on is tapped either before (PFL, mono) or behind (AFL, stereo) the
channel fader and the pan control (depending on the state of the PFL/AFL switch.
The corresponding LED lights up when the solo function is activated.