Manuel D’UtilisationTable des matièresGetting Started8About the Guitar Synthesizer8What You Can Do with the GR-338IMPORTANT NOTES9Panel Descriptions10Chapter 1 Producing Sounds13What You Need13Installing the GK-2A13Making Connections14Necessary Steps—From Powering Up to Performance15About Play Mode15Reset to Default Factory Settings (Factory Reset)16Overall Settings for the GR-33 (SYSTEM)17Adjusting the Brightness of the Display (LCD Contrast)17Setting Input Sensitivity (PICKUP SENS)17Matching Pitches of Other Instruments18Adjusting the Guitar Tuning (Tuner Function)18Selecting the output device (OUTPUT SELECT)19Turning off the guitar amp simulator (G.AMP SIM)19Playing the Internal Synth Sounds with the Guitar20What To Do if There is No Sound When the Guitar is Played20Chapter 2 Selecting and Playing Sounds (Patches)21What Is a Patch?21Rewritable Patches (User Patches)21Read-only Patches (Preset Patches)21Selecting a Patch21Using the Guitar (GK-2A) to Select Patches21Using the Base Module to Select Patches22Using the Base Module plus an External Foot Switch to Select Patches23Selecting Patches with an External MIDI Foot Controller24Changing the Patch Order25Chapter 3 Controlling Functions and Effects with the Base Module Pedals26“Pedal Effect Mode”: What It Is, and How to Call It Up26Getting the Same Effect While in Play Mode26Turning Arpeggiator and Harmonist On/Off27Changing Effects with the Pedals28Getting a Pedal Wah Effect (Wah)28Changing Pitch Dynamically (Pitch Glide)28Holding a Synth Tone After the String is Stopped (Hold)28Calling Up the Tuner Function with a Pedal29Chapter 4 Five Basic Modes30Play Mode30Pedal Effect Mode31Patch Edit Mode: What It Means, How It Works32System Mode33Procedures in Tuner Mode33Getting Into and Out of Each Mode34Chapter 5 Setting/Changing Sounds (Patches)35Details of Putting a Patch Together35What is a “Tone”?35Recording and Settings of Each Patch35Making separate settings for each string (STRING SELECT)35The Relationship Between Arpeggiator/ Harmonist and Patches36Saving Patches36Cautions When Saving36Saving Patches From the GR-33 to Sequencers or Other MIDI Devices (Bulk Dump)37Receiving previously saved system or patch data (Bulk Load)37Naming the Patches (PATCH NAME)38Setting the Volume Level of Each Patch (PATCH LEVEL)38Changing the Feel of a Performance (PLAY FEEL)39Following the Guitar Sound Shape (Envelope Follow)40Increasing the Speed of Expression (Acceleration)40Changing Sound Placement (PAN)41Dividing Continuous Pitch Changes into Semitones (CHROMATIC)42When You Want to Make a Chord Resonate Beautifully42When You Want to Reproduce Piano-like Pitch Changes42Selecting Wah Types (WAH TYPE)43Selecting Pitch Glide Type (GLIDE TYPE)44Selecting Hold Type (HOLD TYPE)45Using the CTRL Pedal46Using the Expression Pedal47To Add Effects47To Switch Effects (EXP PEDAL)47Creating Synth Sounds49Selecting the basic ingredient (tone) of a sound (SELECT)49Increasing/Decreasing Attack Time (ATTACK)49Changing Tone Release (RELEASE)50Changing Tone Brightness (BRIGHTNESS)50Combining/Layering Two Sounds (Tones)51Determining Which Tones Will Be Sounded (LAYER)51Applying Detune (Subtle Pitch Shift)51Transposing by Semitones (TRANSPOSE)51Determining the Volume Balance of Two Tones (1:2 BALANCE)52What to do When a Tone is Supposed to Sound, but Doesn’t52Chapter 6 Using the Built-in Effects53About the Effects Processors and Available Effects53Making Multi-effects Settings53Turning multi-effects on/off (MULTI-FX SW)53Selecting a Type (MULTI-FX TYPE)54About Multi-Effects Parameters55Making Chorus Settings74Making Reverb Settings74Temporarily Turning Off Effects (EFFECT BYPASS)75When the Onboard Effects Don’t Work75Chapter 7 The Arpeggiator Function76About the Arpeggiator Function76About “Arpeggio Patterns”76Effective Use of the Hold Function During Arpeggios76Changing the Sounding of Arpeggios77Turning Arpeggiator On and Off (HAR/ARP CONTROL)77Selecting Tones to Be Arpeggiated (HAR/ARP SELECT)78Selecting Arpeggio Patterns (ARP PATTERN)79Setting Tempo (ARP TEMPO)79Using the pedal to set the tempo (Tap Tempo Teach function)79Chapter 8 Adding Harmonies in a Specific Key (The Harmonist)80About the Harmonist80What You Can Do with the Harmonist80Adding Synth Sounds to Guitar Sounds80Creating Harmonies with Two Synth Sounds80Operation81Turning the Harmonist On and Off (HAR/ARP CONTROL)81Selecting Harmony Tones (HAR/ ARP SELECT)82Setting Harmonic Intervals (HARMONY STYLE)82Setting Transpose and “HARMONY STYLE”83Setting the Key (HARMONY KEY)84Changing the Key from an External Pedal or Other Device with MIDI Note Messages (HARMONY REMOTE)84Switching Between Major and Minor During a Performance85Chapter 9 Connecting to External Sound Generators and Sequencers86About MIDI86Controlling an External MIDI Sound Device86Connecting to an External MIDI Sound Device86Setting MIDI Channel/Bend Range (BASIC CHANNEL, BEND RANGE)86Changing Patch and Other Parameters by Transmitting MIDI Messages from the GR-33 (MIDI [PC])88Selecting Separate Sounds Programmed for Different Strings89Selecting More Than 128 Tones (MIDI [CC0], MIDI [CC32])89Applying the Arpeggiator or Harmonist Using an External Sound Device90The Relationship Between Envelope Follow Function and MIDI Message91Controlling External MIDI Devices with the Pedal91Transposing Performance Data for an External Sound Generator (MIDI [TRANSPOSE])92What to do if an External Module Doesn’t Produce Sound as Expected92Using the GR-33 as an External Sequencer Input Tool93Connecting to a Sequencer93Input Procedures and Settings for Each Device93About “Local Control Off”94Creating Realistic Plucked String Instrument Sounds (Data)94Recording Arpeggiator and Harmonist Performances94Reducing the Size of a MIDI Pitch Bend Message95Practical Use of MIDI Channels96What to do When You Have Difficulty Sequencing96Chapter 10 Other Convenient Functions97Re-assigning Program Change Numbers in the Order of Patches97Terminating Transmission of the MIDI Controller No. 7 (Volume)97Terminating Transmission of the Bend Range Request Message98Chapter 11 Appendices99Troubleshooting99During Normal Play with Just the GR-3399When Changing Patch Settings100When Playing the GR-33 sound generator with a MIDI Keyboard or Other Instrument101When Sending Performance Data from the GR-33 to an External MIDI Device (sound generator or Seque...101Others102Error Messages102Roland Exclusive Messages103MIDI Implementation105MIDI Implementation Chart119Specifications120Index121Tone List122Patch List124Group A (E)124Group B (F)124Group C (G)124Group D (H)124Taille: 2,4 MoPages: 128Language: EnglishOuvrir le manuel
