Line 6 headphones powered monitors Manuale Utente
Line 6 GearBox 3.1 – Basic Features Guide
• Single Tone Source (Mono/Stereo): When the GearBox application is not running, Record 1-
2 and 3-4 both carry the unprocessed signal. When running GearBox, Record 1-2 will carry the
fully GearBox-processed signal. For Record 3-4, you can choose between a signal with no post-
effects, and a fully unprocessed signal.
2 and 3-4 both carry the unprocessed signal. When running GearBox, Record 1-2 will carry the
fully GearBox-processed signal. For Record 3-4, you can choose between a signal with no post-
effects, and a fully unprocessed signal.
• Dual-Tone Source: If you’ve selected one of the dual input configurations from the input
menu, Record 3-4 will always carry the signal from the second audio source. When GearBox is
running, these sends will carry the Tone 2 signal of a Dual-Tone configuration. See the
TonePort
menu, Record 3-4 will always carry the signal from the second audio source. When GearBox is
running, these sends will carry the Tone 2 signal of a Dual-Tone configuration. See the
TonePort
section for more about this.
Note: TonePort DI can only run in Single-Tone configuration.
GuitarPort will show two Sends (Record 1-2 and Record 3-4). When the GearBox application
is not running, Record 1-2 and 3-4 both carry the unprocessed signal from GuitarPort’s input.
When running GearBox, Record 1-2 will carry the fully GearBox –processed signal, and for
Record 3-4 you’ll have a choice between routing a signal with no post-effects, or a fully
unprocessed signal.
PODxt will show only one Record Send (Record 1-2). The type of signal that is routed to the
Record Send 1-2 is determined by the PODxt Signal Routing option within the Audio Signal
Routing dialog (accessed by the Advanced button within the Line 6 Audio-MIDI Devices
dialog). Note that this Audio Signal Routing determines this signal routing regardless if
GearBox is running or not for PODxt devices. (See the
is not running, Record 1-2 and 3-4 both carry the unprocessed signal from GuitarPort’s input.
When running GearBox, Record 1-2 will carry the fully GearBox –processed signal, and for
Record 3-4 you’ll have a choice between routing a signal with no post-effects, or a fully
unprocessed signal.
PODxt will show only one Record Send (Record 1-2). The type of signal that is routed to the
Record Send 1-2 is determined by the PODxt Signal Routing option within the Audio Signal
Routing dialog (accessed by the Advanced button within the Line 6 Audio-MIDI Devices
dialog). Note that this Audio Signal Routing determines this signal routing regardless if
GearBox is running or not for PODxt devices. (See the
section for
more about this dialog).
Important Things to Know When Recording
This section will give you some great pointers for using your Line 6 Hardware for recording, to help
you get your brain wrapped around all that complex computer stuff your geeky friends talk about at
parties. We’ve got even more info, including setup tips for specific audio programs and system
tweaking tips in our GearBox Recording Setup Guide – its available free on the line6.com
you get your brain wrapped around all that complex computer stuff your geeky friends talk about at
parties. We’ve got even more info, including setup tips for specific audio programs and system
tweaking tips in our GearBox Recording Setup Guide – its available free on the line6.com
page!
Sample Rate and Bit Depth
When you set a sample rate and bit depth (also sometimes called "word length") in your recording
software, your Line 6 software will automatically match these settings. If you want to check to
make sure that everything is going as it should, just perform these steps:
software, your Line 6 software will automatically match these settings. If you want to check to
make sure that everything is going as it should, just perform these steps:
• Configure your recording program's sample rate settings, and then confirm that your Line 6
hardware is running at the correct settings in the Line 6 Audio-MIDI Devices dialog
(Windows) or in the Audio-MIDI Setup dialog (on Mac). It is best to always change the
sample rate settings in your audio software.
(Windows) or in the Audio-MIDI Setup dialog (on Mac). It is best to always change the
sample rate settings in your audio software.
• Typically, you can choose the 44,100 sample rate in your audio software for most projects.
But if you have special requirements for your session, then you can alternatively choose
48,000, 88,200 or 96,000 Hz in your audio software and your Line 6 device will support any
of these rates.
48,000, 88,200 or 96,000 Hz in your audio software and your Line 6 device will support any
of these rates.
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