Line 6 headphones powered monitors Manuale Utente
Line 6 GearBox 3.1 – Basic Features Guide
Brit Gain 18
Based on the Marshall® 1974X “authentic re-issue” of the
famous 1974 18W Combo from the late ‘60’s. (brief editorial
aside: Marshall® has had a long tradition of coming up with
model numbers that can easily be taken for years. The Model
1974 combo was manufacturer from 1965 to 1968, the Model
1961 and 1962 combos were first made in 1965. Is it any
wonder we look confused sometimes?). The 1974 has a basic
preamp, (gain and tone controls) and a cathode biased twin
EL84 power amp. It is a great recording amplifier, with a
wonderfully com-pressed and harmonically rich tone.
famous 1974 18W Combo from the late ‘60’s. (brief editorial
aside: Marshall® has had a long tradition of coming up with
model numbers that can easily be taken for years. The Model
1974 combo was manufacturer from 1965 to 1968, the Model
1961 and 1962 combos were first made in 1965. Is it any
wonder we look confused sometimes?). The 1974 has a basic
preamp, (gain and tone controls) and a cathode biased twin
EL84 power amp. It is a great recording amplifier, with a
wonderfully com-pressed and harmonically rich tone.
*All product names are trademarks of their respective owners, which are in no way
associated or affiliated with Line 6. These product names, descriptions and images are
provided for the sole purpose of identifying the specific products that were studied during
Line 6’s sound model development. MARSHALL® is a registered trademark of Marshall
Amplification PLC.
associated or affiliated with Line 6. These product names, descriptions and images are
provided for the sole purpose of identifying the specific products that were studied during
Line 6’s sound model development. MARSHALL® is a registered trademark of Marshall
Amplification PLC.
Citrus D-30
In 1968, in a little music store on Old Compton St. in London,
Clifford Cooper was having trouble getting amplifier
manufacturers to take him seriously as a dealer, as they thought he
was too young, and his shop too small. So he did what seemed
only logical to an enthusiastic young man with a background in
electrical engineering – he designed and built his own amplifiers.
Since he had come into a large quantity of bright orange vinyl that
was what he used to cover his cabinets. It wasn’t long before high-
profile musicians like Fleetwood Mac, Stevie Wonder, and Frank
Zappa were beating a path to his door. This model is based on an
Orange® AD30TC head, a 30 watt, Class A number with a great
personality that gracefully marries vintage British mid-gain
breakup with modern shimmer and presence. Back off the drive
Clifford Cooper was having trouble getting amplifier
manufacturers to take him seriously as a dealer, as they thought he
was too young, and his shop too small. So he did what seemed
only logical to an enthusiastic young man with a background in
electrical engineering – he designed and built his own amplifiers.
Since he had come into a large quantity of bright orange vinyl that
was what he used to cover his cabinets. It wasn’t long before high-
profile musicians like Fleetwood Mac, Stevie Wonder, and Frank
Zappa were beating a path to his door. This model is based on an
Orange® AD30TC head, a 30 watt, Class A number with a great
personality that gracefully marries vintage British mid-gain
breakup with modern shimmer and presence. Back off the drive
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