Line 6 headphones powered monitors Manuale Utente
Line 6 GearBox 3.1 – Basic Features Guide
exciting today as it was 35 years ago. And if he’s not enough to convince you, how about “Duck”
Dunn! Don’t get us started....
Dunn! Don’t get us started....
* All product names used in this document are trademarks of their respective owners, which
are in no way associated or affiliated with Line 6. These product names, descriptions and
images are used solely to identify the specific products whose tones and sounds were studied
during Line 6's sound model development. AMPEG and PORTAFLEX are registered
trademarks of St. Louis Music, Inc. MOTOWN is a registered trademark of UMG
Recordings, Inc. P BASS is a registered trademark of Fender Musical Instruments
Corporation.
are in no way associated or affiliated with Line 6. These product names, descriptions and
images are used solely to identify the specific products whose tones and sounds were studied
during Line 6's sound model development. AMPEG and PORTAFLEX are registered
trademarks of St. Louis Music, Inc. MOTOWN is a registered trademark of UMG
Recordings, Inc. P BASS is a registered trademark of Fender Musical Instruments
Corporation.
Adam and Eve
After David Eden made cabs for SWR® for 3 or 4 years, he went into the business of making his
own bass amp and cabinet line. Jim Demeter designed the electronics of the first Eden amps, and
they were quickly adopted by a veritable who’s who of modern bass society. GearBox’s Adam
and Eve model is based on* the WT-300, one of Eden’s latter offerings which produces a clean,
clear and rich tone.
own bass amp and cabinet line. Jim Demeter designed the electronics of the first Eden amps, and
they were quickly adopted by a veritable who’s who of modern bass society. GearBox’s Adam
and Eve model is based on* the WT-300, one of Eden’s latter offerings which produces a clean,
clear and rich tone.
* SWR® is a registered trademark of Fender Musical Instruments Corporation and is in no
way associated or affiliated with Line 6. These product names, descriptions and images are
provided for the sole purpose of identifying the specific products that were studied during
Line 6’s sound model development.
way associated or affiliated with Line 6. These product names, descriptions and images are
provided for the sole purpose of identifying the specific products that were studied during
Line 6’s sound model development.
Silverface Bass
The Silverface Bass is modeled after* a 1967 Fender®
Bassman®. By ’68, when the Beatles went in to record The White
Album, they had pretty much done away with their Vox® amps in
favor of the new “silverface” Fender® line. John and George each
played through a Twin Reverb®, and Paul through the 2x15 “tall
cab” Bassman®. This amp remained his favorite through the end
of the Beatles’ recording career, and can be seen in the Revolution
video (the cab is laying on its side), and all over the Let It Be
movie — including the infamous “rooftop” concert which closes
the film. Paul went on to use the amp for his first solo recordings,
and live during the early Wings period. We’ve paired this
Bassman®. By ’68, when the Beatles went in to record The White
Album, they had pretty much done away with their Vox® amps in
favor of the new “silverface” Fender® line. John and George each
played through a Twin Reverb®, and Paul through the 2x15 “tall
cab” Bassman®. This amp remained his favorite through the end
of the Beatles’ recording career, and can be seen in the Revolution
video (the cab is laying on its side), and all over the Let It Be
movie — including the infamous “rooftop” concert which closes
the film. Paul went on to use the amp for his first solo recordings,
and live during the early Wings period. We’ve paired this
Page 83