Yamaha 01V Manuale Utente
Glossary
295
01V—Owner’s Manual
MSB (Most Significant Byte)
—
The byte of a digital word that represents the high-
est value. Contrast with LSB
Noise gate—An electronic switch that opens if the trigger signal falls below a speci-
fied threshold and closes if the trigger signal exceeds the threshold. Typically used to
shut off unwanted hiss and noise.
fied threshold and closes if the trigger signal exceeds the threshold. Typically used to
shut off unwanted hiss and noise.
Nominal level—See Operating Level.
Nyquist theorem—The Nyquist theorem states that the sampling rate of a digital
audio system must be at least twice that of the highest audio frequency, otherwise wave-
form distortion know as aliasing will occur. See also Aliasing.
audio system must be at least twice that of the highest audio frequency, otherwise wave-
form distortion know as aliasing will occur. See also Aliasing.
OMNI—The MIDI mode in which a device responds to MIDI data on all 16 channels.
Operating level—This is the signal level at which a piece of audio equipment is
designed to operate. The two most common operating levels are –10 dBV (316 mV),
which is used by semiprofessional equipment, and +4 dBu (1.23 V), which is used by
professional equipment.
designed to operate. The two most common operating levels are –10 dBV (316 mV),
which is used by semiprofessional equipment, and +4 dBu (1.23 V), which is used by
professional equipment.
Oversampling—Sampling an audio signal at a rate higher than the actual sampling
rate to reduce noise caused by quantization errors.
rate to reduce noise caused by quantization errors.
PAM (Pulse Amplitude Modulation)—In the first part of the A/D conversion
process, pulses occurring at the sampling rate are modulated by an analog audio signal.
See also PCM.
process, pulses occurring at the sampling rate are modulated by an analog audio signal.
See also PCM.
PC—Originally, the abbreviation for personal computer. Although today it’s used as
the generic name for any IBM-compatible personal computer, usually running a ver-
sion of the Microsoft Windows operating system.
the generic name for any IBM-compatible personal computer, usually running a ver-
sion of the Microsoft Windows operating system.
PCM (Pulse Code Modulation)—In the second part of the A/D conversion pro-
cess, the pulses derived using PAM are converted into binary data words using PCM.
See also PAM.
cess, the pulses derived using PAM are converted into binary data words using PCM.
See also PAM.
Peaking—A type of EQ circuit used to cut and boost a band of frequencies, producing
a mountain-peak type response. The width of the band is called the Q. Midband EQ is
usually of the peaking type. Compare with Shelving.
a mountain-peak type response. The width of the band is called the Q. Midband EQ is
usually of the peaking type. Compare with Shelving.
PEQ—An abbreviation for parametric EQ.
PFL (Pre Fader Listen)—Monitoring signals before the channel fader. Contrast with
AFL.
AFL.
Phantom powering—The technique for supplying condenser-type microphones a
DC voltage via the signal carrying conductors of a balanced cable.
DC voltage via the signal carrying conductors of a balanced cable.
Pink noise—A type of random noise that contains an equal amount of energy per
octave. For example, the bands 100–200, 800–1600, and 3000–6000 all contain the same
amount of energy. White noise, on the other hand, has an equal amount of energy per
frequency band. That is, 100–200, 800–900, and 3000–3100.
octave. For example, the bands 100–200, 800–1600, and 3000–6000 all contain the same
amount of energy. White noise, on the other hand, has an equal amount of energy per
frequency band. That is, 100–200, 800–900, and 3000–3100.
Post fader—The point in the signal path after the fader. Aux sends are often config-
ured as post-fader sends, which means the aux send signal is sourced after the channel
fader. The advantage of this is that the aux send signal can be controlled at the same
time as the main channel signal using the same fader. Post-fader aux sends are typically
used to feed effects processors. See also AFL.
ured as post-fader sends, which means the aux send signal is sourced after the channel
fader. The advantage of this is that the aux send signal can be controlled at the same
time as the main channel signal using the same fader. Post-fader aux sends are typically
used to feed effects processors. See also AFL.
Pre fader—The point in the signal path before the fader. Aux sends are often config-
ured as pre-fader sends, which means the aux send signal is sourced before the channel
fader. The advantage of this is that the aux send signal can be controlled independently
of the main channel signal. Pre-fader aux sends are often used for foldback mixes. See
also PFL.
ured as pre-fader sends, which means the aux send signal is sourced before the channel
fader. The advantage of this is that the aux send signal can be controlled independently
of the main channel signal. Pre-fader aux sends are often used for foldback mixes. See
also PFL.
Program Change—A type of MIDI message for selecting programs.