Roland Prelude Manuale Utente
82
The Prelude’s Chorus effect unit can also be used as a stereo delay unit.
These settings allow you to select chorus or delay, and the characteristics of the selected effect type.
These settings allow you to select chorus or delay, and the characteristics of the selected effect type.
If you specify the delay time as a note value, slowing down the
tempo will not change the delay time beyond a certain length.
This is because there is an upper limit for the delay time; if the
delay time is specified as a note value and you slow down the
tempo until this upper limit is reached, the delay time cannot
change any further. This upper limit is the maximum value that
can be specified when setting the delay time as a numerical
value.
tempo will not change the delay time beyond a certain length.
This is because there is an upper limit for the delay time; if the
delay time is specified as a note value and you slow down the
tempo until this upper limit is reached, the delay time cannot
change any further. This upper limit is the maximum value that
can be specified when setting the delay time as a numerical
value.
note:
fig.MFX-note2.e
Chorus Parameters
Parameter
Value
Description
Chorus Type
0 (OFF),
1 (CHORUS),
2 (DELAY),
3 (GM2 CHORUS)
1 (CHORUS),
2 (DELAY),
3 (GM2 CHORUS)
Selects either Chorus or Delay.
0 (OFF): Neither Chorus or Delay is
used.
1 (CHORUS): Chorus is used.
2 (DELAY): Delay is used.
3 (GM2 CHORUS): GM2 Chorus is
used.
used.
1 (CHORUS): Chorus is used.
2 (DELAY): Delay is used.
3 (GM2 CHORUS): GM2 Chorus is
used.
01: CHORUS
Filter Type
OFF, LPF, HPF
Type of filter
OFF: no filter is used
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range be-
low the Cutoff Freq
LPF: cuts the frequency range above
the Cutoff Freq
HPF: cuts the frequency range be-
low the Cutoff Freq
Cutoff Freq
200–8000 Hz
Basic frequency of the filter
Pre Delay
0.0–100.0 ms
Adjusts the delay time from the direct
sound until the chorus sound is heard.
sound until the chorus sound is heard.
Rate
0.05–10.00 Hz,
note
note
Frequency of modulation
Depth
0–127
Depth of modulation
Phase
0–180˚
Spatial spread of the sound
Feedback
0–127
Adjusts the amount of the chorus sound
that is fed back into the effect.
that is fed back into the effect.
02: DELAY
Delay Left
0–1000 ms, note
Adjusts the delay time from the direct
sound until the delay sound is heard.
sound until the delay sound is heard.
Delay Right
Delay Center
Delay Center
Center Feed-
back
back
-98–+98%
Adjusts the proportion of the delay
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
sound that is fed back into the effect.
Negative (-) settings will invert the
phase.
HF Damp
200–8000 Hz,
BYPASS
BYPASS
Adjusts the frequency above which
sound fed back to the effect will be cut.
If you do not want to cut the high fre-
quencies, set this parameter to BY-
PASS.
sound fed back to the effect will be cut.
If you do not want to cut the high fre-
quencies, set this parameter to BY-
PASS.
Left Level
0–127
Volume of each delay sound
Right Level
Center Level
Center Level
03: GM2 CHORUS
Pre-LPF
0–7
Cuts the high frequency range of the
sound coming into the chorus.
sound coming into the chorus.
Higher values will cut more of the
high frequencies.
high frequencies.
Level
0–127
Volume of the chorus sound
Feedback
0–127
Adjusts the amount of the chorus sound
that is fed back into the effect.
that is fed back into the effect.
Delay
0–127
Adjusts the delay time from the direct
sound until the chorus sound is heard.
sound until the chorus sound is heard.
Rate
0–127
Frequency of modulation
Depth
0–127
Depth of modulation
Send Level To
Reverb
Reverb
0–127
Adjusts the amount of chorus sound that
will be sent to the reverb.
will be sent to the reverb.
Double note
Dotted whole note
Dotted half note
Dotted thirty-second note
Whole note
Double-note triplet
Sixteenth-note triplet
Thirty-second note
Sixty-fourth-note triplet
Sixty-fourth note
Thirty-second-note triplet
Dotted eighth note
Quarter-note triplet
Eighth note
Half-note triplet
Quarter note
Dotted quarter note
Whole-note triplet
Half note
Sixteenth note
Eighth-note triplet
Dotted sixteenth note
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