Yamaha 205M Manuale Utente

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Styles
CVP-205/203
64
* Only this voicing (inversion) is recognized. Other chords not marked with an asterisk can be played in any inversion.
Chord Name [Abbreviation]
Normal Voicing
Display for root “C”
Major [M]
1 - 3 - 5
C
Ninth [9]
1 - 2 - 3 - 5
C9
Sixth [6]
1 - (3) - 5 - 6
C6
Sixth ninth [6
9
]
1 - 2 - 3 - (5) - 6 or 3 - 6 - 2*
C6
9
Major seventh [M7]
1 - 3 - (5) - 7
CM7
Major seventh ninth [M7
9
]
1 - 2 - 3 - (5)j - 7
CM7
9
Major seventh add sharp eleventh [M7
11
]
1 - (2) - 3 -  4 - 5 - 7 or 1 - 2 - 3 -  4 - (5) - 7 CM7
11
Flatted fifth [ 5]
1 - 3 -  5
C 5
Major seventh flatted fifth [M7
5
]
1 - 3 -  5 - 7
CM7
5
Suspended fourth [sus4]
1 - 4 - 5
Csus4
Augmented [aug]
1 - 3 -  5
Caug
Major seventh augmented [M7aug]
1 - (3) -  5 - 7
CM7aug
Minor [m]
1 -  3 - 5
Cm
Minor ninth [m9]
1 - 2 -  3 - 5
Cm9
Minor sixth [m6]
1 -  3 - 5 - 6
Cm6
Minor seventh [m7]
1 -  3 - (5) -  7
Cm7
Minor seventh ninth [m7
9
]
1 - 2 -  3 - (5) -  7 or  3 -  7 - 2
Cm7
9
Minor seventh eleventh [m7
11
]
1 - (2) -  3 - 4 - 5 - ( 7)
Cm7
11
Minor major seventh [mM7]
1 -  3 - (5) - 7
CmM7
Minor major seventh ninth [mM7
9
]
1 - 2 -  3 - (5) - 7
CmM7
9
Minor seventh flatted fifth [m7
5
]
1 -  3 -  5 -  7
Cm7 5
Minor major seventh flatted fifth [mM7
5
]
1 -  3 -  5 - 7
CmM7
5
Diminished [dim]
1 -  3 -  5
Cdim
Diminished seventh [dim7]
1 -  3 -  5 - 6
Cdim7
Seventh [7]
1 - 3 - (5) -  7 or 1 - (3) - 5 -  7
C7
Seventh flatted ninth [7
9
]
1 -  2 - 3 - (5) -  7
C7
9
Seventh add flatted thirteenth [7
13
]
1 - 3 - 5 -  6 -  7
C7
13
Seventh ninth [7
9
]
1 - 2 - 3 - (5) -  7 or 3 -  7 - 2*
C7
9
Seventh add sharp eleventh [7
11
]
1 - (2) - 3 -  4 - 5 -  7 or 1 - 2 - 3 -  4 - (5) -  7 C7
11
Seventh add thirteenth [7
13
]
1 - 3 - (5) - 6 -  7 or 3 - 6 -  7
C7
13
Seventh sharp ninth [7
9
]
1 -  2 - 3 - (5) -  7
C7
9
Seventh flatted fifth [7
5
]
1 - 3 -  5 -  7
C7
5
Seventh augmented [7aug]
1 - 3 -  5 -  7
C7aug
Seventh suspended fourth [7sus4]
1 - 4 - 5 -  7
C7sus4
Suspended second [sus2]
1 - 2 - 5
Csus2
Chord Types Recognized in the Fingered Mode (Example for “C” chords)
C
Cm
C7
(    )
CM7
(    )
C9
C6  
9
(    )
Caug
Cm6
Cm7
(    )
Cm7 
 5
CmM7 
 
5
Cm7 
9
(    )
Cm9
CmM7
(    )
CmM7  
9
(    )
Cdim
Cdim7
C7 
9
(    )
C7 
13
(    )
C7 
 
9
(    )
C7 
 
13
Csus4
C7 
 
5
C6
(    )
(    )
CM7 
9
CM7 
 
11
(    )
CM7 
 
5
 5
(    )
C7 
 
11
C7 
 
9
(    )
C7aug
Cm7 
11
(    )
(    )
CM7aug
(    )
C7sus4
Csus2
• Notes in parentheses can 
be omitted.
• For FINGERED, FIN-
GERED ON BASS, and AI 
FINGERED, if you play 
any three adjacent keys 
(including black keys), the 
chord sound will be can-
celed and only the rhythm 
instruments will continue 
playing (Chord Cancel 
function). This let you play 
back only the rhythm.
• Playing two same root 
keys in the adjacent 
octaves produces accom-
paniment based only on 
the root.
• A perfect fifth (1 + 5) pro-
duces accompaniment 
based on the root and the 
fifth.
• The auto accompaniment 
Style will sometimes not 
change when related 
chords are played in 
sequence (e.g. some 
minor chords followed by 
the minor seventh).
• You can also have the 
CVP-205/203 “teach” you 
how to play Fingered 
chords. From the CHORD 
FINGERING display 
(page 131), specify the 
chord you want to learn, 
and the notes you should 
press are indicated in the 
display.