Euphonix 5B Manuale Utente

System 5-B Digital Audio Mixing System Operation Manual

 

Introduction

19

The DF64 Digital Frame performs all System 5-B audio processing: dynamics, EQ, bus-
ses (mix, record, aux, and monitor). System 5-B uses one Mixer Model (one DF64 with 
a SH612 Studio Hub), which has the following characteristics: 96 channels, 24 groups/
clean feeds, 16 aux sends, 24 Mix sections and 24 external inputs). 

The engineer has complete freedom to decide how to route sources and destinations to 
the console, which easily handles 448 digital and analog sources. 

Digital and analog I/O units connect all devices via MADI. All audio signals are con-
verted to and from the MADI format through analog and digital converters. The System 
5-B includes eight MADI Inputs and six MADI Outputs. Each 75-

Ω coaxial MADI ca-

ble can carry up to 56 channels of 24-bit digital audio at 44.1 or 48 kHz. These MADI 
inputs and outputs appear at the console’s internal router/patchbay. See Console I/O on 
page 55 for more information.

Microphone inputs are handled by the ML530 Mic/Line Interfaces. Each unit contains 
24 remote-controlled microphone preamps. Each ML530 is connected to a dedicated 
AM713 Analog to MADI Converter. A single system can include up to seven ML530s.

The MC524 Monitor Controller provides the following analog monitor outputs:

•

Control Room Monitoring: Main (7.1), Alt 1 (5.1), and Alt 2 (stereo)

•

Studio Monitoring: SLS (7.1), and Cues 1–3 (each stereo)

•

Two talkback preamps and four listen microphone preamps

The MC524 is connected to a dedicated MA703 MADI to Analog Converter.