Mackie VLZ3 4BUS Manuale Utente

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   VLZ3 4•Bus
Introduction
Awesomely unheard of features
USB Recording and Playback
The VLZ3 4•Bus Series Mixers feature a 4x2 USB
recording and playback function. This means up to four 
signals may be recorded simultaneously and a stereo 
mix returned to the mixer for playback. 
There are two switches in the master section labeled 
"USB OUT" that allow for monstrous flexibility on the 
four recordable signals. The default switch  
 
configuration routes subgroups 1-4 over the USB    
connection to your favorite DAW software for a "mix it 
later" 4-track recording. The Subgroup 1-2 switch also 
allows the L-R mix to be recorded for convenient stereo 
mixes of the show. The Subgroup 3-4 switch allows aux 
5/6 to be sent to the DAW for a unique stereo recording 
or the use of DAW plug-ins as effects.
For playback, there are two switches in the master 
section labeled "2-TRACK RETURN". One switch [TAPE/
USB] changes the standard dual RCA inputs to main 
(tape, switch disengaged) to stereo USB to main (USB, 
switch engaged). This is an extremely convenient  
function for playing music over the main mix from a 
computer. We prefer to jam some Johnny 'The Man in 
Black' Cash in between bands at the local rock clubs. 
But feel free to play whatever you want, unless it's...  
ah, never mind, we won't go there!
Another cool feature of the VLZ3 4•Bus is routing
the stereo USB return to the last stereo channel of the 
mixer. This is a mighty fine tool for a number of live and 
recording uses. For example, playback through the   
stereo channel allows the "Greg Mackie designed" 
4-band EQ to be utilized to sweeten the sounds. It may 
also be used for overdubbing by sending music to the 
musicians' headphones through the auxes.
Last, but not least, it may be used to return plug-in 
effects from the DAW in a live mix scenario. One of our 
favorites is the CamelPhat VST that makes your    
average drummer sound like Bonham on How The West 
Was Won.
Powerful on-board dual FX engines and eight 
individual compressors
 In pursuit of the ultimate Mackie "do-it-all" Live 
Sound Mixer, we threw in the kitchen sink and packed 
this bad boy with a full set of processors allowing you 
to travel "rack free" while still making professional  
sounding mixes.
For starters, we added not one, but TWO, of our  
patented Running Man FX processors (RMFX+
)  
featuring 24 "gig-ready" effects right into the board. This 
does not include useless effects such as "the warbler" or 
the "insanity delay", but rather a suite of quickly  
accessible and useable reverbs, choruses and delays 
that make coloring your mix a breeze.
Additionally, both FX processors feature a tap delay, 
typically only available on an outboard rack. Delays may 
easily be sync'd with the song at the tap of a finger. And 
because we love flexible routing (hehe), the processed 
signal may be sent direct to the mains and monitors 
from the effects section or re-routed to the two stereo 
channels to bring them through the EQ and aux section, 
utilizing the 60mm fader to draw them into the mix.
But wait, there's more! The VLZ3 4•Bus has eight
(yes, eight!) single knob compressors to stop the  
dynamic signals from poking out of the mix. Four 
compressors are located on the last four mic inputs 
so that the most critical signals (such as vocals, snare 
drum, the occasional jaw harp or mountain goats) may 
be addressed. Plus, there are single knob compressors 
on each of the four subgroups so that grouped signals 
(such as a drum set or a choir of didgeridoos) may be 
blended together for paramount smoothness.
Bottom line? You have an awesome mixer with Mackie 
VLZ3 sound quality, "built-like-a-tank" build quality and 
a recording and processing feature set that is  
unparalleled. Congratulations... and happy mixing!