Yamaha AW4416 Manuale Utente

Appendix

Appendix–

Hall, room, stage, and plate simulations, all with gates.

Early reflections.

REV TIME

0.3–99.0 s

Reverb time

INI.DLY

0.0–500.0 ms

Initial delay before reverb begins

HI.RATIO

0.1–1.0

High-frequency reverb time ratio

LO.RATIO

0.1–2.4

Low-frequency reverb time ratio

DIFF.

0–10

Reverb diffusion (left–right reverb spread)

DENSITY

0–100%

Reverb density

E/R DLY

0.0–100.0 ms

Delay between early reflections and reverb

E/R BAL.

0–100%

Balance of early reflections and reverb (0% = ER, 100% = reverb)

HPF

Thru, 21 Hz–8.0 kHz

High-pass filter cutoff frequency

LPF

50 Hz–16.0 kHz, Thru

Low-pass filter cutoff frequency

GATE LVL

OFF, –60 to 0 dB

Level at which gate kicks in

ATTACK

0–120 ms

Gate opening speed

HOLD

*1

*1. 0.02 ms–2.13 s (fs=44.1 kHz), 0.02 ms–1.96 s (fs=48 kHz)

Gate open time

DECAY

*2

*2. 6.0 ms–46.0 s (fs=44.1 kHz), 5.0 ms–42.3 s (fs=48 kHz)

Gate closing speed

MIX BAL.

0–100 [%]

Mix balance of the effects and dry sounds

TYPE

S-Hall, L-Hall, Random, 
Reverse, Plate, Spring

Type of early reflection simulation

ROOMSIZE

0.1–20.0

Reflection spacing

LIVENESS

0–10

Early reflections decay characteristics (0 = dead, 10 = live)

INI.DLY

0.0–500.0 ms

Initial delay before reverb begins

DIFF.

0–10

Reverb diffusion (left–right reverb spread)

DENSITY

0–100%

Reverb density

ER NUM.

1–19

Number of early reflections

FB.GAIN

–99 to +99%

Feedback gain

HI.RATIO

0.1–1.0

High-frequency feedback ratio

HPF

Thru, 21 Hz–8.0 kHz

High-pass filter cutoff frequency

LPF

50 Hz–16.0 kHz, Thru

Low-pass filter cutoff frequency

MIX BAL.

0–100 [%]

Mix balance of the effects and dry sounds