Roland GW-8 Guida Utente
40
Performance Functions and Effects
You can turn the ANALOG MODIFY knobs to edit the currently
selected Tone (including rhythm set Tones).
selected Tone (including rhythm set Tones).
The current Tone is the Tone at whose Tone number the cursor
is located in the screen when you press [TONE].
is located in the screen when you press [TONE].
Editing a Tone in detail
You can edit the currently selected Tone (including rhythm set
Tones) in more detail. The Tone settings you edit are stored in
the Performance (p. 38).
Tones) in more detail. The Tone settings you edit are stored in
the Performance (p. 38).
1.
Press [MENU].
2.
Use [
] [
] to select “Perform Tone Edit” then press
[ENTER].
3.
Use [
] [
] to select the Upper or Lower Tone that
you want to edit.
4.
Use [
] [
] to select a parameter, and turn the VALUE
dial to adjust the value.
5.
When you’ve finished making settings, press [EXIT].
The Main screen will appear.
Tone Parameters
Editing a Tone
Parameter
Value
Explanation
Level
0–127
Adjusts the volume of the Tone.
Pan
L64–0–
63R
63R
Adjusts the panning (left/right
stereo position) of the Tone.
Values beginning with “L” place
the sound at the left, 0 at the
center, and “R” at the right.
stereo position) of the Tone.
Values beginning with “L” place
the sound at the left, 0 at the
center, and “R” at the right.
Chorus
Send Level
Send Level
0–127
Level of the signal sent to
Chorus.
Chorus.
Reverb
Send Level
Send Level
0–127
Level of the signal sent to
Reverb.
Reverb.
Cutoff
-64–+63
The same as CUTOFF described
in page 38.
in page 38.
Resonance
-64–+63
The same as RESONANCE
described i n page 38.
described i n page 38.
Attack Time
-64–+63
The same as ATTACK described
in page 38.
in page 38.
Decay Time
-64–+63
Adjusts the decay time (the time
from when the attack has
finished until the volume reaches
the level at which it will remain
as long as you hold down the
key). Higher settings produce a
longer decay time.
from when the attack has
finished until the volume reaches
the level at which it will remain
as long as you hold down the
key). Higher settings produce a
longer decay time.
Release
Time
Time
-64–+63
The same as RELEASE described
in page 38.
in page 38.
Vibrato
Rate
Rate
-64–+63
Adjusts the modulation speed of
vibrato. Higher settings produce
faster vibrato.
vibrato. Higher settings produce
faster vibrato.
Vibrato
Depth
Depth
-64–+63
Adjusts the modulation depth
vibrato. Higher settings produce
more intense vibrato.
vibrato. Higher settings produce
more intense vibrato.
Vibrato
Delay
Delay
-64–+63
Adjusts the time until vibrato begins.
Higher settings produce a longer
delay until vibrato will begin.
Higher settings produce a longer
delay until vibrato will begin.
Mono/Poly
MONO
Only the last-played note will
sound. This setting is effective
when playing a solo instrument
patch such as sax or flute.
sound. This setting is effective
when playing a solo instrument
patch such as sax or flute.
POLY
Two or more notes can be
played simultaneously.
played simultaneously.
TONE
Uses the Tone’s Mono/Poly setting.
Legato
Switch
Switch
OFF,
ON,
TONE
ON,
TONE
This setting specifies whether the
Legato Switch will be used (ON)
or not (OFF). Legato Switch is
valid when the Mono/Poly
parameter is set to “MONO.”
With the Legato Switch “ON,”
pressing a key while continuing
to press a previous key causes
the note to change pitch to the
pitch of the most recently pressed
key, sounding all the while. This
creates a smooth transition
between notes, which is effective
when you wish to simulate the
hammering on and pulling-off
techniques used by a guitarist.
When “TONE” is selected, the
Tone’s own settings take effect.
Legato Switch will be used (ON)
or not (OFF). Legato Switch is
valid when the Mono/Poly
parameter is set to “MONO.”
With the Legato Switch “ON,”
pressing a key while continuing
to press a previous key causes
the note to change pitch to the
pitch of the most recently pressed
key, sounding all the while. This
creates a smooth transition
between notes, which is effective
when you wish to simulate the
hammering on and pulling-off
techniques used by a guitarist.
When “TONE” is selected, the
Tone’s own settings take effect.
Parameter
Value
Explanation
GW-8_e.book 40 ページ ２００８年７月３０日 水曜日 午後２時４分