Roland RD-700GX Guida Utente

 

Detailed Settings for Each Function ([EDIT] Button)

 

Switch the polarity of pedals connected to the RD-700GX.

This can be set individually for each of the Pedal jacks on the 
rear panel (FC1, FC2, DAMPER).

On some pedals, the electrical signal output by the pedal 
when it is pressed or released is the opposite of other pedals. 
If your pedal has an effect opposite of what you expect, set 
this parameter to reverse.

If you are using a Roland pedal (that has no polarity switch), 
set this parameter to STANDARD.

This specifies how the indicators will appear when off.

This selects the number of parts for the RD-700GX.

When set to “16PART+PERF,” the performance on the 
keyboard is not affected by MIDI messages from the MIDI IN 
connector or song data played by the RD-700GX. This is 
useful when you want to perform on the keyboard while 
playing song data with the RD-700GX.

If you select “16PART,” the keyboard part you yourself play 
can use the same part as the song data, meaning that you can 
specify program changes or bank selections within the song 
data so that the tone of the keyboard part will be switched 
automatically.

This sets the tuning and keynote (tonic).
Most modern songs are composed and played with the 
assumption that equal temperament will be used, but when 
classical music was composed, there were a wide variety of 
other tuning systems in existence. Playing a composition with 
its original tuning lets you enjoy the sonorities of the chords 
that the composer originally intended.
When playing with tuning other than equal temperament, you 
need to specify the keynote for tuning the song to be 
performed (that is, the note that corresponds to C for a major 
key or to A for a minor key).
If you choose an equal temperament, there’s no need to select 
a keynote.

 

STND (STANDARD), 
REV (REVERSE)

 

NORMAL

The indicator will be lit 
if a function is on, and 
will be extinguished if it 
is off.

DIMLY

The indicator will be 
dimly lit when the 
function is off.
This will help you find 
the location of the 
buttons even on a 
dimly lit stage.

 

16PART, 
16PART+PERF (Performance)

 

EQUAL

Equal Temperament
This tuning divides an octave 
into 12 equal parts. Every 
interval produces about the 
same amount of slight 
dissonance. 

JUST MAJ

Just (Major)
This scale eliminates 
dissonance in fifths and thirds. 
It is unsuited to playing 
melodies and cannot be 
transposed, but is capable of 
beautiful sonorities.

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