Nikon Camera Control Pro Manuale Utente

This profi le is used in desk-top publishing applications and in 
Adobe Photoshop versions 4.0 or earlier, and is the typical RGB 
profi le for Macintosh monitors.  The corresponding RGB set-
ting in Adobe Photoshop is “Apple RGB.”  This profi le is suitable 
for working with images dis played on the Macintosh.

The ColorMatch profi le is native to Radius PressView monitors. 
It has a wider gamut than Apple RGB, with a particularly wide 
area devoted to the reproduction of blues. The cor re spond ing 
RGB setting in Adobe Photoshop is “Color Match RGB.”

This RGB profi le is used in the majority of Windows monitors. It 
closely resembles the RGB commonly used in color television, 
and is also used in the digital television broadcasting sys tem 
that is on its way to becoming the industry  standard  in  the 
United States of America. Software and hardware man u fac -
tur ers use it as a default color profi le and guarantee op er a tion 
when it used. It is also on its way to becoming the standard 
for images on the web. This profi le is suited to users who plan 
to use their digital images “as is,” without editing or print-
 ing them. It however suff ers from the drawback of a narrow 
gamut with a limited area available for reproducing blues. The 
corresponding RGB setting in Adobe Photoshop 5.0 and 5.5 
is “sRGB,” the corresponding setting in Adobe Photoshop 6.0 
“sRGB IWC61966-2.1.”

This color profi le attempts to expand on the ColorMatch RGB 
gamut by defi ning the chro ma tic i ty for G as lying between the 
values for G in the Adobe RGB and ColorMatch color-space 
profi les. It was proposed by Bruce Fraser, who claims that it 
includes most of the colors in the SWOP CMYK gamut. The R 
and B used in the Bruce RGB and Adobe RGB color-space pro-
fi les match.