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DELAY MULTI
In MULTI MODE, all 16 PARTs access the same Delay effect. In this case, the only dedicated
parameter you have available for each part is EFFECT SEND; all other Delay parameters apply
to the same Delay unit and affect all PARTs.
Consequently, if you set the Virus to MULTI MODE or MULTI SINGLE MODE, all settings you
dial in for the Delay (including EFFECT SEND) affect the MULTI PROGRAM and are stored
along with it. If the Virus is In MULTI MODE or MULTI SINGLE MODE and you activate a new
SINGLE, the Delay parameters of the SINGLE are ignored and the Delay parameters of the
current MULTI PROGRAM are valid.
EFFECT SEND
Controls the level at which the signal is routed through the Delay.
EFFECT SEND is equivalent to the "post-fade" effects loop of a mixing console.
TIME
Controls the delay time.
CLOCK
When you set it to OFF, the absolute delay time is determined in milliseconds. If you select a note value,
then the delay time is set to the value of this note. The absolute length of this note value depends on the
value entered to CLOCK TEMPO in the global clock generator (refer to this section). In this case, the
entered absolute delay time in milliseconds is ignored.
 In contrast to the LFOs and the arpeggiator, here you cannot synchronize the delay time to an external
MIDI-Clock. Why? Because the delay is not generated by the clock generator, it actually operates
independently. Even though the clock generator is actually synchronized via MIDI Clock, you can still
manually synchronize the delay to an external sequencer by setting the tempo of the clock generator
(CLOCK TEMPO) to the same (or as close as possible) tempo of the current arrangement and come up
with fairly musical results.
FEEDBACK
Controls the amount of feedback of the Delay.
RATE