Access virus os4 Manuale Utente
ACCESS VIRUS OS4
231
About the Delay/Reverb
ABOUT THE DELAY/
REVERB
DELAY/REVERB Effect Send
The Effect Send parameter works
like a classic aux send knob on a
mixer (post-fader), i.e. it adjusts
the level of the global DELAY/
REVERB effect signal without influ-
encing the dry signal. However, the
dry signal is faded out in the final
third of the control range so that
you can also patch just the pure
effect signal of a MULTI Part
through as you would it you were
using a conventional dry/wet
effect knob.
like a classic aux send knob on a
mixer (post-fader), i.e. it adjusts
the level of the global DELAY/
REVERB effect signal without influ-
encing the dry signal. However, the
dry signal is faded out in the final
third of the control range so that
you can also patch just the pure
effect signal of a MULTI Part
through as you would it you were
using a conventional dry/wet
effect knob.
01111111111111111112
1 DELAY
EffectSend 73≤
EffectSend 73≤
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DELAY/REVERB Output Select
The DELAY/REVERB Output Select
function lets you send the DELAY/
REVERB section’s output signal to
any mono or stereo outputs. If you
function lets you send the DELAY/
REVERB section’s output signal to
any mono or stereo outputs. If you
patch the DELAY/REVERB signal to
a virtual aux bus, it can be pro-
cessed further by means of a
MULTI Part that taps into this aux
bus (INPUT Select), and even
routed back into the into the
DELAY or REVERB via the same
PART’s effect send loop, which gen-
erates feedback. With this feed-
back circuit, you can filter and
trigger the DELAY/REVERB signal,
modulate its volume and even lay
chorus over it. When you’re work-
ing with feedback, be sure to keep
a watchful eye on the signal level.
The DELAY/REVERB section’s level
can easily rise to an intolerable vol-
ume (e.g. when the level is cranked
up by a filter resonance) when the
amount of feedback that you have
dialed in is too great.
a virtual aux bus, it can be pro-
cessed further by means of a
MULTI Part that taps into this aux
bus (INPUT Select), and even
routed back into the into the
DELAY or REVERB via the same
PART’s effect send loop, which gen-
erates feedback. With this feed-
back circuit, you can filter and
trigger the DELAY/REVERB signal,
modulate its volume and even lay
chorus over it. When you’re work-
ing with feedback, be sure to keep
a watchful eye on the signal level.
The DELAY/REVERB section’s level
can easily rise to an intolerable vol-
ume (e.g. when the level is cranked
up by a filter resonance) when the
amount of feedback that you have
dialed in is too great.