Access virus os4 Manuale Utente
234
CHAPTER
23
Tips, tricks and other Words of Wisdom
Envelope Follower Release:
Knob: FILTER DECAY It controls the
decay time of the envelope fol-
lower. With this parameter, you
can determine how swiftly the
envelope follower will respond to a
decrease in signal level. Higher val-
ues let the Follower linger.
decay time of the envelope fol-
lower. With this parameter, you
can determine how swiftly the
envelope follower will respond to a
decrease in signal level. Higher val-
ues let the Follower linger.
Envelope Follower Gain:
Knob: FILTER SUSTAIN It controls
the input level of the envelope fol-
lower directly. The nominal value is
the center position (64).
the input level of the envelope fol-
lower directly. The nominal value is
the center position (64).
OSCILLATORS
Pulse Width Modulation
Pulse width modulation is a very
effective method for producing
beat oscillations without having to
resort to several detuned oscilla-
tors.
effective method for producing
beat oscillations without having to
resort to several detuned oscilla-
tors.
Dial OSC BALANCE to the far left so
that only OSC1 is audible, then
select the waveform Pulse for this
oscillator (OSC1 Shape to the right).
Slowly turn the Pulse Width (PW)
knob back and forth. As you
change its pulse width, you’ll hear
movement in the sound itself.
When its pulse width remains
fixed, the sound will remain static.
This to-and-fro pulse width modu-
lation can be automated by means
of an LFO. Select PWM for LFO1
Amount and set a relatively high
modulation amount. You can vary
the intensity of the modulation via
LFO Rate.
that only OSC1 is audible, then
select the waveform Pulse for this
oscillator (OSC1 Shape to the right).
Slowly turn the Pulse Width (PW)
knob back and forth. As you
change its pulse width, you’ll hear
movement in the sound itself.
When its pulse width remains
fixed, the sound will remain static.
This to-and-fro pulse width modu-
lation can be automated by means
of an LFO. Select PWM for LFO1
Amount and set a relatively high
modulation amount. You can vary
the intensity of the modulation via
LFO Rate.
Now when you play different
sounds, you’ll will find that the
intensity of the modulation is con-
siderably greater with low-fre-
sounds, you’ll will find that the
intensity of the modulation is con-
siderably greater with low-fre-