Access virus os4 Manuale Utente
28
CHAPTER
4
Introduction
ter position (12 o’clock) determines
the volume of the filter section’s
input signal. The portion of the
control range located to the right
of the center position (12 o’clock)
does not achieve any increase in
volume; it simply intensifies the
degree of saturation or distortion.
This effect is only achieved when
you have activated a saturation
curve. The intensity of the remain-
ing available DSP effects is also
controlled via the OSC VOL knob.
the volume of the filter section’s
input signal. The portion of the
control range located to the right
of the center position (12 o’clock)
does not achieve any increase in
volume; it simply intensifies the
degree of saturation or distortion.
This effect is only achieved when
you have activated a saturation
curve. The intensity of the remain-
ing available DSP effects is also
controlled via the OSC VOL knob.
Feel free to experiment with the
diverse saturation curves and be
sure to vary the OSC VOL settings.
Note how the different CUTOFF
and RESONANCE settings influence
the saturation curve.
diverse saturation curves and be
sure to vary the OSC VOL settings.
Note how the different CUTOFF
and RESONANCE settings influence
the saturation curve.
THE SECOND FILTER
You probably noticed that by a
adding a bit of saturation to the
signal you can come up with a
pretty heavy, aggressive sound -
especially with a low filter fre-
quency level and high resonance.
You’re probably thinking these
types of sounds could do with
some more filtering. We had the
same idea, which is one of the rea-
sons why we equipped the Virus
with another filter per voice.
adding a bit of saturation to the
signal you can come up with a
pretty heavy, aggressive sound -
especially with a low filter fre-
quency level and high resonance.
You’re probably thinking these
types of sounds could do with
some more filtering. We had the
same idea, which is one of the rea-
sons why we equipped the Virus
with another filter per voice.