Access os5 Manuale Utente
102
CHAPTER 7
Main Edit Menu
Main Edit Menu
When you select an internal aux path as a sig-
nal source, you of course must route the signals
of another PART to this aux path via OUTPUT
SELECT before you can establish a signal con-
nection between the two PARTS. Several PARTs
can simultaneously access the external input or
the internal aux paths via INPUT SELECT.
nal source, you of course must route the signals
of another PART to this aux path via OUTPUT
SELECT before you can establish a signal con-
nection between the two PARTS. Several PARTs
can simultaneously access the external input or
the internal aux paths via INPUT SELECT.
FOLLOWER (ENVELOPE-
FOLLOWER)
The envelope follower generates a modulation
signal from an audio signal. This modulation
signal can be used to control sound parame-
ters. When the envelope follower is activated, it
takes the place of the filter envelope. This
means that you can modulate the filters using
the ENV AMOUNT knob in the filter section. The
envelope follower is also available as a modula-
tion source in the ASSIGN section in the form of
the option called ”FiltEnv”.
signal from an audio signal. This modulation
signal can be used to control sound parame-
ters. When the envelope follower is activated, it
takes the place of the filter envelope. This
means that you can modulate the filters using
the ENV AMOUNT knob in the filter section. The
envelope follower is also available as a modula-
tion source in the ASSIGN section in the form of
the option called ”FiltEnv”.
MODE
Activates the envelope follower. Set to the OFF
position, the envelope follower is inactive and
the filter envelope works in the usual manner.
position, the envelope follower is inactive and
the filter envelope works in the usual manner.
The remaining settings for FOLLOWER mode
let you activate the envelope follower and, at
the same time, choose a signal source. Select
signal sources the same way you would for IN-
PUT SELECT (see above). Note that this selec-
tion option is completely independent of the
given input.
let you activate the envelope follower and, at
the same time, choose a signal source. Select
signal sources the same way you would for IN-
PUT SELECT (see above). Note that this selec-
tion option is completely independent of the
given input.
When you select a stereo signal and at the
same time activate UNISON mode (Twin), the
envelope follower operates in real stereo.
same time activate UNISON mode (Twin), the
envelope follower operates in real stereo.
Three filter envelope knobs are used to control
the envelope follower when it is active:
the envelope follower when it is active:
ENVELOPE FOLLOWER ATTACK
(Knob: FILTER ATTACK) It controls the attack
rate of the envelope follower. With this parame-
ter, you can determine how fast the envelope
follower will respond to the rise in signal level.
Higher values slow the envelope follower down
and delay its response.
rate of the envelope follower. With this parame-
ter, you can determine how fast the envelope
follower will respond to the rise in signal level.
Higher values slow the envelope follower down
and delay its response.
ENVELOPE FOLLOWER RELEASE
(Knob: FILTER DECAY) It controls the decay
time of the envelope follower. With this parame-
ter, you can determine how swiftly the envelope
follower will respond to a decrease in signal lev-
el. Higher values let the Follower linger.
time of the envelope follower. With this parame-
ter, you can determine how swiftly the envelope
follower will respond to a decrease in signal lev-
el. Higher values let the Follower linger.
ENVELOPE FOLLOWER GAIN
(Knob: FILTER SUSTAIN) It controls the input
level of the envelope follower directly. The nom-
inal value is the center position (64).
level of the envelope follower directly. The nom-
inal value is the center position (64).
01111111111111111112
1 INPUT FOLLOWER
Mode Off≤
Mode Off≤
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RINGMODULATOR
This allows you to ring-modulate the residual
signal of the SINGLE or PART with an external
audio signal. The effect multiplies the ampli-
signal of the SINGLE or PART with an external
audio signal. The effect multiplies the ampli-