Access virus indigo ii Manuale Utente
96
CHAPTER 7
Main Edit Menu
Main Edit Menu
COMMON
CLOCK TEMPO
The VIRUS has a global clock generator which
can be used to synchronize the LFOs, the ar-
peggiators and the delay/reverb effects to a
common tempo. The internal clock generator
either works at a definable rate or slaves auto-
matically to any MIDI clock signal (e.g. from a
sequencer) arriving at the MIDI IN socket. Inter-
nal clock speed is controlled by the CLOCK
TEMPO parameter, which can be set to any val-
ue beween 63 und 190 BPM (Beats Per Minute).
Beats are displayed by a dedicated LED above
the TRANSPOSE buttons.
can be used to synchronize the LFOs, the ar-
peggiators and the delay/reverb effects to a
common tempo. The internal clock generator
either works at a definable rate or slaves auto-
matically to any MIDI clock signal (e.g. from a
sequencer) arriving at the MIDI IN socket. Inter-
nal clock speed is controlled by the CLOCK
TEMPO parameter, which can be set to any val-
ue beween 63 und 190 BPM (Beats Per Minute).
Beats are displayed by a dedicated LED above
the TRANSPOSE buttons.
When the device is synchronized via MIDI
clock, the clock generator automatically ac-
cepts the speed dictated by the connected se-
quencer; the inter nal tempo is invalid. The
individual sections of the VIRUS are synced up
to the clock generator at rhythmic intervals
such as 1/16, 1/4 and so forth. These values
may be assigned individually for every section.
( A R P E G G I AT O R C L O C K , C L O C K L F O 1 ,
CLOCK LFO 2, CLOCK LFO 3, DELAY CLOCK,
see the respective sections).
clock, the clock generator automatically ac-
cepts the speed dictated by the connected se-
quencer; the inter nal tempo is invalid. The
individual sections of the VIRUS are synced up
to the clock generator at rhythmic intervals
such as 1/16, 1/4 and so forth. These values
may be assigned individually for every section.
( A R P E G G I AT O R C L O C K , C L O C K L F O 1 ,
CLOCK LFO 2, CLOCK LFO 3, DELAY CLOCK,
see the respective sections).
01111111111111111112
1 CLOCK
Tempo (bpm) 120≤
Tempo (bpm) 120≤
61111111111111111154
In SINGLE MODE, CLOCK TEMPO pertains to
the current SINGLE PROGRAM and is stored
along with it. In MULTI MODE, the CLOCK
TEMPO settings for the involved SINGLE PRO-
GRAMs are ignored. Instead, all involved SIN-
GLE PROGRAMs are controlled via the same
clock generator. Its CLOCK TEMPO is saved in
the MULTI PROGRAM (as are the settings of the
the current SINGLE PROGRAM and is stored
along with it. In MULTI MODE, the CLOCK
TEMPO settings for the involved SINGLE PRO-
GRAMs are ignored. Instead, all involved SIN-
GLE PROGRAMs are controlled via the same
clock generator. Its CLOCK TEMPO is saved in
the MULTI PROGRAM (as are the settings of the
global delay effect). This feature lets you control
the LFOs and arpeggiators of several MULTI
PARTS in a common rhythmic context.
the LFOs and arpeggiators of several MULTI
PARTS in a common rhythmic context.
A small “c”will appear in the display when the
VIRUS is receiving MIDI Clock data.
VIRUS is receiving MIDI Clock data.
If you’re sure you do NOT want the device to be
synchronized automatically to MIDI clock, set
MIDI CLOCK RX to Off (in the SYSTEM menu).
synchronized automatically to MIDI clock, set
MIDI CLOCK RX to Off (in the SYSTEM menu).
To avoid confusion, please keep in mind that
MIDI Clock is not the same thing as MIDI Time
Code. The latter doesn’t deal with tempo at all
but with time-related information structured in
hours, minutes, seconds, etc. which is of no
benefit to you in this context.
Code. The latter doesn’t deal with tempo at all
but with time-related information structured in
hours, minutes, seconds, etc. which is of no
benefit to you in this context.
PATCH VOLUME
Storable master volume for the SINGLE pro-
gram. Its nominal value is set to 100 so that you
have a reserve of 27 volume increments when
you are dealing with exceptionally low-level
sound settings. In addition to using PATCH
VOLUME, you can also control the level via
MIDI using the controllers #7 (Channel Volume)
and #11 (Expression). However, these are not
stored with the SINGLE program.. In MULTI
MODE, you can also access PART VOLUME
(see appropriate section), which provides fur-
ther volume reserves (headroom).
gram. Its nominal value is set to 100 so that you
have a reserve of 27 volume increments when
you are dealing with exceptionally low-level
sound settings. In addition to using PATCH
VOLUME, you can also control the level via
MIDI using the controllers #7 (Channel Volume)
and #11 (Expression). However, these are not
stored with the SINGLE program.. In MULTI
MODE, you can also access PART VOLUME
(see appropriate section), which provides fur-
ther volume reserves (headroom).
01111111111111111112
1 COMMON
PatchVolume 100≤
PatchVolume 100≤
61111111111111111154