Adobe photoshop cs2 Manuale Utente
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ADOBE PHOTOSHOP CS2
User Guide
Embedded
Uses the profile embedded in the camera raw file.
ACR 2.4
Uses the built-in camera profile of Camera Raw 2.4 for Photoshop CS. The option is available for only
certain cameras. Users who have fine-tuned their settings for the older Camera Raw built-in profile can select this
option to use that profile instead.
option to use that profile instead.
2
Use the Hue and Saturation sliders to adjust the red, green, and blue in the image. Look at the preview image as
you make adjustments until the image looks correct to you. In general, adjust the hue first and then adjust its
saturation. Moving the Hue slider to the left (negative value) is like a counterclockwise move on the color wheel, and
moving it to the right (positive value) is like a clockwise move. Moving the Saturation slider to the left (negative
value) desaturates the color, and moving it to the right (positive value) increases saturation.
saturation. Moving the Hue slider to the left (negative value) is like a counterclockwise move on the color wheel, and
moving it to the right (positive value) is like a clockwise move. Moving the Saturation slider to the left (negative
value) desaturates the color, and moving it to the right (positive value) increases saturation.
Adjustments made in the Calibrate tab affect the selected image in the Camera Raw dialog box. If you want to save
the adjustments and make them the default image settings for the files from a specific camera, click the triangle next
the adjustments and make them the default image settings for the files from a specific camera, click the triangle next
to the Settings menu and choose Save New Camera Raw Defaults from the Camera Raw menu.
Saving camera raw images
To save camera raw images in Camera Raw
The Camera Raw dialog box lets you save camera raw files in Photoshop-supported file formats.
1
In the Camera Raw dialog box, apply adjustments to one or more camera raw images.
2
Click the Save button.
3
In the Camera Raw Save Options dialog box, specify the following options:
Destination
Specifies where to save the file. If necessary, click the Select Folder button and navigate to the location.
File Naming
Specifies the naming convention used if you’re processing and saving more than one camera raw file.
4
Choose a file format from the Format menu:
Digital Negative
Saves a copy of the camera raw file in the DNG file format. Specify save options by selecting any
of the following: Compressed (Lossless), Uncompressed, Preserve Raw Image, or Convert To Linear Image. You can
also specify a JPEG preview for the DNG file.
also specify a JPEG preview for the DNG file.
JPEG
Saves copies of the camera raw files in JPEG format. To specify the amount of compression, enter a value from
0 to 12 or choose from the pop-up menu. Entering a higher value or choosing High or Maximum applies less
compression, increasing file size and image quality.
compression, increasing file size and image quality.
TIFF
Saves copies of the camera raw files in TIFF format. Specify whether to apply no compression, or LZW or ZIP
file compression.
Photoshop
Saves copies of the camera raw files in the PSD file format. You can specify whether to preserve cropped
pixel data in the PSD file.
5
Click Save.
Note: The Digital Negative (DNG) format is Adobe’s proposed standard format for camera raw image files. DNG files
are useful for archiving camera raw images because they contain the raw camera sensor data and data specifying how
the image should look. Camera Raw image settings can be store in DNG files instead of in sidecar XMP files or the
Camera Raw database.
are useful for archiving camera raw images because they contain the raw camera sensor data and data specifying how
the image should look. Camera Raw image settings can be store in DNG files instead of in sidecar XMP files or the
Camera Raw database.