Kodak Gold 200 135/36 6034003 Manuale Utente
Codici prodotto
6034003
©Eastman Kodak Company, 2007
February 2007
• E-7022
TECHNICAL DATA / COLOR NEGATIVE FILM
KODAK GOLD 100 and 200 Films
KODAK GOLD 100 and 200 Films are low-speed color
negative films that offer an outstanding combination of
color saturation, fine grain, and high sharpness. They are
designed for general picture-taking situations in daylight or
with electronic flash. You can also expose this film under
photolamps (3400 K) or tungsten illumination (3200 K)
with filters. They also feature wide exposure latitude—
from two stops underexposure to three stops
overexposure.
negative films that offer an outstanding combination of
color saturation, fine grain, and high sharpness. They are
designed for general picture-taking situations in daylight or
with electronic flash. You can also expose this film under
photolamps (3400 K) or tungsten illumination (3200 K)
with filters. They also feature wide exposure latitude—
from two stops underexposure to three stops
overexposure.
Other features include—
STORAGE AND HANDLING
Load and unload your camera in subdued light.
Store unexposed film at 21
°C (70°F) or lower in the
original sealed package. Always store film (exposed or
unexposed) in a cool, dry place. Process film as soon as
possible after exposure.
unexposed) in a cool, dry place. Process film as soon as
possible after exposure.
Protect negatives from strong light, and store them in a
cool, dry place. For more information on storing negatives,
see KODAK Publication No. E-30, Storage and Care of
KODAK Photographic Materials—Before and After
Processing.
see KODAK Publication No. E-30, Storage and Care of
KODAK Photographic Materials—Before and After
Processing.
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total
darkness.
darkness.
Features
Benefits
• Saturated colors
• Bright, colorful prints
• Fine grain and high
sharpness
• Great for enlargements
• High-quality results when scanned
• High-quality results when scanned
for digital output
• Great prints from digital zoom and
crop images
EXPOSURE
Film Speed
Use these speed numbers in the table below with cameras
or meters marked for ISO, ASA, or DIN speeds or exposure
indexes. Do not change the film-speed setting when you
use a filter if your camera has through-the-lens metering.
Metering through filters may affect light meter accuracy;
see your meter or camera manual for specific information.
For critical work, make a series of test exposures.
or meters marked for ISO, ASA, or DIN speeds or exposure
indexes. Do not change the film-speed setting when you
use a filter if your camera has through-the-lens metering.
Metering through filters may affect light meter accuracy;
see your meter or camera manual for specific information.
For critical work, make a series of test exposures.
*
For best results without special printing.
Daylight
Use the exposures in the table below for average frontlit
subjects from 2 hours after sunrise to 2 hours before
sunset.
subjects from 2 hours after sunrise to 2 hours before
sunset.
*
Use f/5.6 for backlit close-up subjects.
†
Subject shaded from the sun but lighted by a large area of sky.
Light Source
KODAK
WRATTEN
Gelatin Filter
*
ISO Speed
Gold 100 Film Gold 200 Film
Daylight or
Electronic Flash
Electronic Flash
None
100
200
Photolamp
(3400 K)
(3400 K)
No. 80B
32
64
Tungsten
(3200 K)
(3200 K)
No. 80A
25
50
Lighting Conditions
Shutter Speed (second)
and Lens Opening
Gold 100 Film
Gold 200 Film
Bright or Hazy Sun on
Light Sand or Snow
Light Sand or Snow
1/125
f/16
1/250
f/16
Bright or Hazy Sun
(Distinct Shadows)
(Distinct Shadows)
1/125
f/11
*
1/250
f/11
*
Weak, Hazy Sun
(Soft Shadows)
(Soft Shadows)
1/125
f/8
1/250
f/8
Cloudy Bright
(No Shadows)
(No Shadows)
1/125
f/5.6
1/250
f/5.6
Heavy Overcast or Open
Shade
Shade
†
1/125
f/4
1/250
f/4