Magma MDR 24/96 Manuale Utente
18
MDR 24/96
MDR
24/
96
Hookups
This section shows how the MDR24/96 is typically connected to both analog and
digital consoles (using the Mackie Analog and Digital 8•Bus consoles as
examples). These examples assume that the rest of your studio equipment
(monitors, sound sources, outboard processing, etc.) is already connected, or that
you know how to connect it.
digital consoles (using the Mackie Analog and Digital 8•Bus consoles as
examples). These examples assume that the rest of your studio equipment
(monitors, sound sources, outboard processing, etc.) is already connected, or that
you know how to connect it.
Before you begin, note how the three eight-channel I/O cards are arranged on the
MDR24/96 rear panel: 1-8 is on the left, 9-16 is in the center, and 17-24 is on the
right. Labeling each cable before you begin will make connecting the MDR24/96 to
your console easier.
MDR24/96 rear panel: 1-8 is on the left, 9-16 is in the center, and 17-24 is on the
right. Labeling each cable before you begin will make connecting the MDR24/96 to
your console easier.
The specific hookups for each MDR24/96 I/O card are shown below.
Analog Hookup (AIO•8)
This example describes the hookup for the 24•8 analog console.
Cables & Hardware
(3) AIO•8 cards for MDR24/96
(6) Analog snakes, DB25 to eight 1/4” TRS phone plugs
(6) Analog snakes, DB25 to eight 1/4” TRS phone plugs
Hookup
1. Connect three snakes to the MDR24/96 Inputs (bottom connector). If you
want to have the ability to route any console input to any recorder track,
then connect the 1/4” plugs on each of the three snakes to the like-
numbered Submaster / Tape Output jacks on the 8•Bus console. This
works as long as you don’t record more than 8-channels at a time, since
the Submaster Outputs 9-16 and 17-24 are the same as outputs 1-8.
then connect the 1/4” plugs on each of the three snakes to the like-
numbered Submaster / Tape Output jacks on the 8•Bus console. This
works as long as you don’t record more than 8-channels at a time, since
the Submaster Outputs 9-16 and 17-24 are the same as outputs 1-8.
Alternately, you can connect the console’s direct outputs to the recorder’s
inputs, so that each console channel feeds the like-numbered recorder
track. Or, you can use a combination of direct and subgroup outs. The
hookup diagram below shows the MDR24/96 inputs connected to the
Submaster Outputs.
inputs, so that each console channel feeds the like-numbered recorder
track. Or, you can use a combination of direct and subgroup outs. The
hookup diagram below shows the MDR24/96 inputs connected to the
Submaster Outputs.
Note:
Note:
Note:
Note:
Note: If you are us-
ing a D8B console
with either DIO•8,
PDI•8, or OPT•8
cards installed, then
a Clock I/O card
must also be in-
stalled in the D8B to
properly synchro-
nize its word clock
with the MDR24/96.
24•8 SUBMASTER
/ TAPE OUTPUTS
MDR24/96 AIO Cards
MDR24/96 back panel
8
7
15
6
14
5
13
4
12
3
11
2
10
1
9
TAPE RETURNS 1-8
15
13
11
9
7
5
3
1
16
14
12
10
6
4
2
8
17
18
19
20
21
22
23
24
16
TAPE RETURNS 9-16
TAPE RETURNS 17-24
17
18
20
19
21
22
23
24
TAPE IN/OUTS
INPUT
O
UTPUT
INPUT
O
UTPUT
INPUT
O
UTPUT
ANALOG I/O ANALOG I/O ANALOG I/O
120VAC
50/60 Hz 475W
SYNC
ACC
ETHERNET
MIDI
1-8
9-16
17-24
TAPE IN/OUTS
INPUT
O
UTPUT
INPUT
O
UTPUT
INPUT
O
UTPUT
ANALOG I/O ANALOG I/O ANALOG I/O