Alesis ANDROMEDA A6 Manuale Utente
Chapter 10: Using Effects
A
NDROMEDA
A6 R
EFERENCE
M
ANUAL
211
D
IGITAL
E
FFECTS
A
RCHITECTURE
This section describes the 28 configuration
categories for the Digital Effects system.
categories for the Digital Effects system.
T
HE
S
IGNAL
F
LOW
T
HROUGH THE
E
FFECTS
S
ECTION
As you can see in the flow chart above, the effects section gets its input from the
Voice Mix Level pot. At this point, the signal is mono. This signal appears at the
Voice Mix Level pot. At this point, the signal is mono. This signal appears at the
SEND
controls of both effects units. The Digital Effects unit can receive signal from its
own
SEND
control, but even if this is all the way down, it can still receive signal from
the Analog Distortion section's output. Now that you understand where the input to
the Digital Effects comes from, let's look at what goes on inside the Digital Effects
system:
the Digital Effects comes from, let's look at what goes on inside the Digital Effects
system:
S
INGLE
A Single configuration consists of one effect. These configurations utilize complex,
processor-intensive effect algorithms providing the best quality possible for each
effect type supported.
processor-intensive effect algorithms providing the best quality possible for each
effect type supported.
Effects that use this configuration:
Large Hall
Chamber
Large Plate
Hall Reverb
Ambience
Mono Delay
Room Reverb
Plate Reverb
Nonlinear Reverb
Ping Pong Delay
VCA
(ENV 3)
(ENV 3)
VOICE MIX
LEVEL
VOICE MIX
PAN
OUTPUT
AUX/MAIN
SWITCH
AUX/MAIN
SWITCH
MAIN
DFX1
DFX2
MAIN OUT
DIGITAL
EFFECTS
EFFECTS
SEND
OUT
ANALOG
DISTORTION
SEND
OUTPUT
MAIN OUT
PAN/BLEND*
(in some configurations)