Behringer Pro Mixer DX2000USB Volantino
Page 3 of 6
lighting system, provided your lighting
system has “sound-to-light” capability
(e.g. BEHRINGER LC2412 Lighting Console).
The Main Output section offers balanced
1/4" TRS and XLR stereo outputs, as well as
1/4" TRS Main Insert jacks for connecting to
outboard EQ and dynamics processors, such
as limiters and compressors. This section
also features RCA outputs for recording
your set. The Monitor/Zone Output section
system has “sound-to-light” capability
(e.g. BEHRINGER LC2412 Lighting Console).
The Main Output section offers balanced
1/4" TRS and XLR stereo outputs, as well as
1/4" TRS Main Insert jacks for connecting to
outboard EQ and dynamics processors, such
as limiters and compressors. This section
also features RCA outputs for recording
your set. The Monitor/Zone Output section
gives you separate stereo 1/4" and XLR
monitor outputs, as well as 1/4" stereo zone
outputs, each with their own dedicated
level controls. This feature gives the
DX2000USB incredible zone mixing
versatility, allowing you to send output
signals to a variety of destinations, such as
the lobby, restaurant or waiting areas,
all the while maintaining total control.
monitor outputs, as well as 1/4" stereo zone
outputs, each with their own dedicated
level controls. This feature gives the
DX2000USB incredible zone mixing
versatility, allowing you to send output
signals to a variety of destinations, such as
the lobby, restaurant or waiting areas,
all the while maintaining total control.
Transforming with Punch and Cut
Transforming is a DJ term used to
describe the chopping up of sound to
create some rather dramatic effects.
Traditionally this is done by rapidly
moving a crossfader to give a stuttering
or “gated” effect, either between two
create some rather dramatic effects.
Traditionally this is done by rapidly
moving a crossfader to give a stuttering
or “gated” effect, either between two
music sources, or one source and
silence. Another DJ trick is to use the
channel faders, or channel on buttons,
to chop one music track over another.
These methods are still valid, but if you’re
looking for instant gratification, check
out our ergonomic alternative— a pair of
big assignable non-latching PUNCH/CUT
buttons. We’re sure you will grow to love
their speed and ease of operation.
silence. Another DJ trick is to use the
channel faders, or channel on buttons,
to chop one music track over another.
These methods are still valid, but if you’re
looking for instant gratification, check
out our ergonomic alternative— a pair of
big assignable non-latching PUNCH/CUT
buttons. We’re sure you will grow to love
their speed and ease of operation.
The Punch and Cut modes are
available via the TRANSFORM MODE
button, with a pair of LEDs that let you
know which function is active. The X and
Y Punch/Cut buttons are conveniently
located right next to the crossfader
with which they are designed to work.
button, with a pair of LEDs that let you
know which function is active. The X and
Y Punch/Cut buttons are conveniently
located right next to the crossfader
with which they are designed to work.
INPUT
button selects
channel’s
audio source
LOW CUT
button
removes
unwanted low
frequencies
EQ knobs
PAN knob
positions channel
in stereo field
TALKOVER button
CHANNEL ON
CHANNEL ON
PFL button
sends channel
to PFL bus
CROSSFADER
button routes
signal to
crossfader
CHANNEL fader
adjusts channel
volume
ASSIGN button
assigns active
channel to X or Y
side of crossfader
Gain
FX button
routes
channel to
FX SEND and
RETURN loop
CD/PHONO
input selector
DAMPING
adjusts music
level reduction
when talkover
is engaged
TIME knob
adjusts how
quickly the
music volume
recovers after
talkover has
been engaged
SENSITIVITY
knob adjusts
how loud mic
signal must
be to engage
talkover
LEVEL METER
displays
left and
right MAIN
signal, PFL
signal level
LIGHT LEVEL
adjusts output
level of mono
LIGHT OUTPUT
ZONE LEVEL
adjusts output
of ZONE
OUTPUTS
FX RETURN
MAIN/PFL
selects main
stereo mix or
PFL mix for
phones
PHONES LEVEL
BALANCE
adjusts blend
of PFL and
main signals
in headphones
MONITOR
fader adjusts
output of
MONITOR
OUTPUTS
MAIN faders
infinium
optical X/Y
CROSSFADER
PUNCH/CUT
buttons
MAIN DIM
button
reduces the
main mix by
-20 dB
MAIN BOOST
raises the
main mix by
+4 dB
TRACK START
button allows
remote control
of commercial
playback decks
via built-in
remote jacks
TRANSFORM
MODE
determines
whether
PUNCH/
CUT buttons
operate
in CUT or
PUNCH mode
EQ ON
Continued on next page
PRO MIXER
DX
USB