Manuale UtenteSommario1. INTRODUCTION61.1 The Design Concept61.2 Before you begin72. CONTROLS8Expander/Gate Section8Compressor Section9Dynamic Enhancer Section10Rear Panel Control Elements Of The AUTOCOM PRO103. APPLICATIONS113.1 Compression/Levelling/Limiting/Clipping113.2 Expander/Gate Section123.2.1 Controlling Leakage In The Studio123.2.2 Initial Settings For The Expander/Gate Section133.2.3 Reducing Leakage In Stage Mics133.2.4 Reducing Feedback In Stage Mics143.2.5 Noise Reduction On Effects Paths143.2.6 Creative Use Of The Expander/Gate Section143.3 Compressor Section143.3.1 Initial Settings For The Compressor Section153.3.2 The AUTOCOM PRO As A Sound Effects Unit163.3.3 The Muffling Effect Of A Compressor163.4 Dynamic Enhancer Section163.4.1 Initial Settings For The Dynamic Enhancer Section174. SPECIAL APPLICATIONS174.1 Using The AUTOCOM PRO For Recording And Cassette Duplication174.1.1 The AUTOCOM PRO In Digital Recording And Sampling184.1.2 The AUTOCOM PRO In Mastering184.2 The AUTOCOM PRO As A Protective Device184.2.1 Protection Of A System With A Passive Crossover184.2.2 Protection Of A System With An Active Crossover194.2.3 Improving The Sound Of A Processor System194.3 The AUTOCOM PRO In Broadcast195. EXTERNAL SIDECHAIN APPLICATIONS205.1 The Sidechain Function205.2 Using An Equalizer In The Sidechain Path205.2.1 The AUTOCOM PRO As A De-Esser205.2.2 Frequency Selective Filtering Of Unwanted Signals215.2.3 Suppressing Instruments During Recording215.2.4 Emphasizing Musical Instruments During Recording215.3 Anticipated Compression225.4 Voice-Over Compression (Ducking)225.5 Triggering Additional Sounds From A Rhythm Track226. TECHNICAL BACKGROUND226.1 Noise As A Physical Phenomenon226.2 What Are Audio Dynamics?226.3 Compressors/Limiters246.4 Expanders/Noise Gates247. AUDIO CONNECTIONS257.1 Inputs And Outputs257.1.1 Balanced Inputs And Outputs257.1.2 Transformer Balanced Outputs (Optional)258. TECHNICAL DATA279. WARRANTY29Dimensioni: 1000 KBPagine: 28Language: EnglishApri il manuale