Rollei 35 ユーザーズマニュアル
Practical Hints
4. Exposures with filters
The thread of the lens 4 or the lens hood mount takes a screw-in filter:
30.5 x 0.5 for Sonnar lensed models (35S / 35SE)
●
24.0 x 0.5 for Tessar lensed models (Original 35 / 35T)
●
Filters mostly require an exposure correction. Its value is engraved on the filter mount. This indicates the
number of stops by which the aperture has to be opened (towards lower f/numbers) or the exposure time
increased .
number of stops by which the aperture has to be opened (towards lower f/numbers) or the exposure time
increased .
For example if the measured aperture is f/11, and the filter correction value -1.5 ( i.e. 1 l/2 aperture stops),
use an aperture setting between f/8 and f/5.6
use an aperture setting between f/8 and f/5.6
If you want to correct by increasing the exposure time, moving the shutter speed dial from one value to
the next corresponds to a full exposure step correction. Half steps can only be allowed for by intermediate
aperture settings.
the next corresponds to a full exposure step correction. Half steps can only be allowed for by intermediate
aperture settings.
Filters for black and white shots:
Medium yellow filter: (exposure correction -1.5). This makes the sky reproduce darker, clouds more
brilliant and improves modelling in snow shadows.
brilliant and improves modelling in snow shadows.
Orange filter: (exposure correction -1.5 to -3, according to the film type used). This darkens blue skies to
give heavy thunderstorm effects and lightens yellows and reds.
give heavy thunderstorm effects and lightens yellows and reds.
Filters for colour shots:
Filter UV and colour conversion filter R 1.5: (these require no exposure correction). They subdue blue
casts which can arise on cloudless days through the predominant blue skylight, especially in distant views.
With some reversal colour films a warmer overall rendering may be desirable. In that case the R 1.5 filter
may be used for all shots.
casts which can arise on cloudless days through the predominant blue skylight, especially in distant views.
With some reversal colour films a warmer overall rendering may be desirable. In that case the R 1.5 filter
may be used for all shots.
All this informations, texts, and Images were extracted from the "Rollei 35/35T/35S In Practical Use" and
only intends to give some orientation to new users that didn't had access to the original manual. (c)
Rollei-Werke Franke & Weidecke
only intends to give some orientation to new users that didn't had access to the original manual. (c)
Rollei-Werke Franke & Weidecke