Mirage Loudspeakers OMNI 5.1 ユーザーズマニュアル

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put prices on a more level playing field, the 
M1 is still a $1000+ speaker some 15 years 
later. That alone should validate the 
technology for most of us, but Mirage did not 
relax, and they continued to improve on 
their technology. In 1996 Mirage introduced 
the OM series of speakers which brought the 
technology and the listening experience to a 
new level with a bipolar design in a narrow 
column. This new design was the first in the 
OMNI polar family.  
I still own the OM-6, the original flagship of 
that series, and while many speakers have 
passed though my system, no speaker has 
been able to replace it. Like the original 
series it was expensive to build. It required 
twice as many drivers and more cabinetry 
work then their competitions conventional 
loudspeakers. That did not hinder Mirage’s 
progress, and people were willing to pay 
higher prices for the benefits of OMNI polar 
sound. But, Mirage still believed there was a 
bigger market opportunity if they could find 
a way to reduce the cost of the OM series. 
The OMNI series being reviewed here is 
Mirage’s first attempt at such a system and 
will replace Mirage's more conventional FRx 
series.  Lets see how they did it . . . .  
The Mirage OMNI series
  
To achieve the same dispersion pattern as the OM series, Mirage did the most logical 
thing they could do, flip the drivers on end and point them straight up in the air. Since 
sound waves are dispersed similar to throwing a stone in a puddle, this driver orientation 
would give the closest pattern to a pair of speakers mounted in Mirage's OMNI polar 
configuration.  
Now any reputable speaker manufacture knows you cannot listen to a driver in this 
orientation. Just look at the polar plot of any driver’s frequency response when you get 
more than 30 degrees off axis, let alone 90 degrees. However, that was no reason to give 
up. Instead, Mirage’s research department tilted the mid-bass drivers slightly forward and 
designed a tweeter raised outside of its mounting basket. The tweeter and mid-bass 
drivers can then be placed in very close proximity to one another.  
Mirage then uses the bottom of the tweeter housing and a small elevated hat over the 
tweeter to aid in the dispersion pattern. This new combination gives an optimal off axis 
frequency response and mimics the dispersion pattern of the original OM series with the 
use of only two drivers. In my experience, this would be the closest representation of a 
  
OMNI CC Center Channel:
 
• Three-way 
• One 1" Pure Titanium Hybrid Tweeter, One 3" 
Polypropylene Midrange and Two 4 1/2" Titanium Deposit 
Woofers 
• MFR: 50 Hz - 20 kHz ± 3 dB 
• Crossover: 500Hz, 2KHz 
• Nominal Impedance: 8 Ohms (4 Ohms min.) 
• In Room Sensitivity: 90 dB/W/M 
• Size: 8" H x 21" W x 10" D 
• Weight: 25 Pounds Each 
• MSRP: $400/Each - Cherry or Black Ash
 
  
OMNI FX Surrounds:
 
• 2 way 
• One 1" Pure Titanium Hybrid Tweeter, One 5 1/4" 
Titanium Deposit Woofer 
• MFR: 80 Hz - 20 kHz ± 3 dB 
• Crossover: 2KHz 
• Nominal Impedance: 8 Ohms (4 Ohms min.) 
• In Room Sensitivity: 90 dB/W/M 
• Size: 11" H x 8" W x 7" D 
• Weight: 9 Pounds Each 
• MSRP: $200/Each - White or Black
 
  
OM-200 Powered Subwoofer:
 
• Ported Opposing Omnipolar Driver Configuration 
• Two 10" Drivers 
• 200 Watt Amplifier (800 watts peak) 
• MFR: 20 Hz - 120 Hz ± 3 dB 
• Variable Low-Pass: 40 Hz - 120 Hz (18 db/octave) 
• Variable Phase: +180 degrees - +180 degrees 
• Size: 16 1/4" H x 18 5/8" W x 15 1/4" D 
• Weight: 48.6 Pounds Each 
• MSRP: $1000 Each - Gloss Black or Cherry
 
 
 
 
Mirage  
www.miragespeakers.com
 
Page 2 of 10
Product Review
5/5/2003
http://www.hometheaterhifi.com/volume_10_2/mirage-omni-speakers-5-2003.html