Behringer B215XL/B215XL-WH ユーザーズマニュアル

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EUROLIVE B215XL/B215XL-WH/B212XL/B212XL-WH User Manual
3.  Optimal Operation
We have developed the B212XL/B215XL for use in a wide range of possible 
applications. Of course, the sound of your loudspeakers depends on the acoustic 
characteristics of the room/space in which they are being used. The following 
chapters of this manual will give you information about getting the most out of 
your EUROLIVE speakers.
3.1  HF drivers
High frequencies are the segment of the audio spectrum responsible for 
clarity and speech intelligibility. These frequencies are the easiest ones to 
locate, but at the same time they are also the easiest ones to “obstruct”. 
Therefore, we recommend positioning your speakers so that the HF drivers are 
located slightly above the height of the audience. This guarantees the best 
possible dispersion of high frequencies and considerably higher intelligibility.
3.2  How to prevent feedback
Always place the “front of house” speakers ahead of the microphones (from the 
audience’s perspective), and never behind. Use professional floor monitors or an 
in-ear monitoring system to hear the stage performers.
3.3  How to avoid feedback when working with 
record players (DJ Applications)
In applications with record players, bass feedback can occur. Bass feedback occurs 
when low frequencies get back to the pickup and are reproduced on the speakers. 
The most common causes for this are: speakers located too closely to the record 
player, a room with a wooden floor, or presence of a podium or a platform. 
In such cases, it is best to move the speakers away from the record player 
and “banish” them from the stage, so that they are located on firm ground. 
Another option is to use raised stands, which prevent the speakers from having a 
direct contact with the ground.
3.4  Loudspeaker protection by using a  
low-cut filter
Try to prevent damage to your speakers caused by extreme oscillation of the 
bass membrane due to subsonic noise and extremely deep frequencies. Use an 
equalizer to cut off those frequencies that fall below your speakers’ frequency 
range, or use a low-cut/high-pass filter. Most equalizers and sound-improvement 
systems offer a low-cut function, like the BEHRINGER ULTRAGRAPH DIGITAL 
DEQ1024, for example.
Using a low-cut filter in your signal path is particularly recommended if you 
use record players or CD players as your signal source. CD players often produce 
extremely deep frequencies, which can lead to extreme excursions of the 
bass membrane.
4.  Additional Considerations
4.1  Length and diameter of loudspeaker cables
Loudspeaker cables whose diameter is too small can considerably limit the  
power amp performance. The longer the cable, the more pronounced the 
problem. As a result, musicians often simply “turn up” the amp, which can lead 
to loudspeaker damage. Therefore, don’t use cables longer than 15 m (45 ft.). 
For most applications, this will not be necessary. Cable diameter should be at 
least 14 - 12 gauge.
4.2  Power amp rating
Selecting the right amp can turn out to be rather difficult. Therefore, stick to the 
following rule of thumb: the power rating of your amp should be roughly twice 
the speaker load capacity. A speaker rated at 200 Watts continuous performance 
can easily be powered by an amp rated at 400 Watts output power. An optimal 
addition to your speaker system would be the BEHRINGER EUROPOWER EP2000 
power amp, for example.
4.3  Fuses
We do not recommend the use of fuses with audio applications. Damage to 
loudspeakers can be the result of high peak signals and high output power. 
However, fuses can only offer protection from one of these two factors, and never 
from both. Additionally, fuse resistors are sometimes nonlinear, leading to 
distortion and unpredictable overdriving.
4.3.1  Protecting your equipment
Always try to find the optimal signal level. Try to avoid overdriving your amp.
Keep in mind the physical limitations of your PA system.
Use a limiter to restrict the output signal level. Place the limiter between the 
mixing console and the power amp. For this purpose, our proven AUTOCOM 
PRO-XL MDX1600, COMPOSER PRO-XL MDX2600 and MULTICOM PRO-XL 
MDX4600 compressors offer an outstanding solution. All models can be used 
as a limiter: the audio signal doesn’t overdrive any more, and unpleasant 
“peaks” are effectively avoided.
◊ 
Our ULTRADRIVE PRO DCX2496 and SUPER-X CX3400/ CX2310 crossovers 
are particularly well-suited for protecting your equipment: for each 
output, they have independent limiters.