Korg Triton Studio ユーザーズマニュアル
140
S/P DIF:
The digital audio output from an instrument or
DAT etc. connected to the S/P DIF jack will be input to the
TRITON STUDIO. Use Input1 (below) to make settings for
the L channel of the S/P DIF IN connector, and Input2 for
the R channel. The S/P DIF input/output supports sam-
pling rates of 48 kHz and 96 kHz. The sampling rate is spec-
ified by “S/P DIF Sample Rate” (Global P0: 0–2a).
Data at a sample rate of 96 kHz will be converted into 48
kHz for input.
mLAN:
TRITON STUDIO. Use Input1 (below) to make settings for
the L channel of the S/P DIF IN connector, and Input2 for
the R channel. The S/P DIF input/output supports sam-
pling rates of 48 kHz and 96 kHz. The sampling rate is spec-
ified by “S/P DIF Sample Rate” (Global P0: 0–2a).
Data at a sample rate of 96 kHz will be converted into 48
kHz for input.
mLAN:
The digital audio output from an instrument or
other device connected to the mLAN connector (if the EXB-
mLAN option is installed) will be input to the TRITON STU-
DIO.
You will need to make settings in the Global mode P0:
mLAN Input page to specify the source that will be input.
mLAN option is installed) will be input to the TRITON STU-
DIO.
You will need to make settings in the Global mode P0:
mLAN Input page to specify the source that will be input.
In order to select mLAN, the EXB-mLAN option must
be installed, and “System Clock” (Global P0: 0–2a)
must be set to mLAN.
be installed, and “System Clock” (Global P0: 0–2a)
must be set to mLAN.
Input1:
Input2:
Level
Input2:
Level
[0...127]
Specifies the level of the external audio signal being input
(specified by “Input”). Normally you will set this to 127.
(specified by “Input”). Normally you will set this to 127.
The analog audio signal from the AUDIO INPUT 1 and 2
jacks and from the CDRW-1 option is converted into dig-
ital form by an AD converter. This parameter sets the
level of the signal immediately after it is converted into a
digital signal. If the sound is still distorted even when
this level is lowered significantly, it is possible that the
distortion is occurring before the AD converter. Use the
[LEVEL] knob or the output level control of your exter-
nal audio source to make adjustments.
jacks and from the CDRW-1 option is converted into dig-
ital form by an AD converter. This parameter sets the
level of the signal immediately after it is converted into a
digital signal. If the sound is still distorted even when
this level is lowered significantly, it is possible that the
distortion is occurring before the AD converter. Use the
[LEVEL] knob or the output level control of your exter-
nal audio source to make adjustments.
Pan
[L000...C064...R127]
Sets the pan of the external audio signal being input (speci-
fied by “Input”). If you are inputting a stereo audio source,
you will normally set Input1 to L000, and Input2 to R127 (or
Input1 to R127 and Input2 to L000). If you are inputting a
monaural audio source, you will normally set this to C064.
fied by “Input”). If you are inputting a stereo audio source,
you will normally set Input1 to L000, and Input2 to R127 (or
Input1 to R127 and Input2 to L000). If you are inputting a
monaural audio source, you will normally set this to C064.
BUS (IFX/Indiv.) Select
[L/R, IFX1...5, 1...4, 1/2, 3/4, Off]
Specifies the bus to which the external audio signal being
input (specified by “Input”) will be sent. (“2–4. Audio
Input”
input (specified by “Input”) will be sent. (“2–4. Audio
Input”
Send1 (to MFX1), Send2 (to MFX2)
[000...127]
In the same as for the oscillator(s) of a program, this param-
eter specifies the level that is sent from the external audio
signal being input (specified by “Input”) to the master
effects. If “BUS (IFX) Select” has been set to IFX1–5, the
send level to the master effects is specified by “Send1” and
“Send2” (Program 8–1d. Combination, Sequencer, Song Play
8–1b) after the signal has passed through IFX1–5. (“2–4.
Audio Input”
eter specifies the level that is sent from the external audio
signal being input (specified by “Input”) to the master
effects. If “BUS (IFX) Select” has been set to IFX1–5, the
send level to the master effects is specified by “Send1” and
“Send2” (Program 8–1d. Combination, Sequencer, Song Play
8–1b) after the signal has passed through IFX1–5. (“2–4.
Audio Input”
If “BUS (IFX/Indiv.) Select” is set to other than Off,
and you raise the “Level” setting, the external audio
source will be input to the TRITON STUDIO. At this
time if audio cables are connected to the AUDIO
INPUT 1 or 2 jacks, the noise component will be input
via the AD converters into the TRITON STUDIO even if
there is no audio input, and depending on the settings,
may be output from the AUDIO OUTPUT L/R, 1, 2, 3
and 4 jacks. If you want to perform using only internal
sounds such as programs, combinations, and songs,
and are not using external audio inputs, you should set
“BUS (IFX/Indiv.) Select” to Off, or set “Level” to 0.
and you raise the “Level” setting, the external audio
source will be input to the TRITON STUDIO. At this
time if audio cables are connected to the AUDIO
INPUT 1 or 2 jacks, the noise component will be input
via the AD converters into the TRITON STUDIO even if
there is no audio input, and depending on the settings,
may be output from the AUDIO OUTPUT L/R, 1, 2, 3
and 4 jacks. If you want to perform using only internal
sounds such as programs, combinations, and songs,
and are not using external audio inputs, you should set
“BUS (IFX/Indiv.) Select” to Off, or set “Level” to 0.
Similarly, if you are not using the S/P DIF connector or
mLAN connector, you should turn “BUS (IFX/Indiv.)
Select
mLAN connector, you should turn “BUS (IFX/Indiv.)
Select
” Off, or set “Level” to 0.
If audio cables are not connected to the AUDIO INPUT
1 and 2 jacks, the input to the TRITON STUDIO via the
AD converter is forced to zero, and no noise component
will be output.
1 and 2 jacks, the input to the TRITON STUDIO via the
AD converter is forced to zero, and no noise component
will be output.
0–3b: Sampling
Auto Optimize RAM
[Off, On]
If RAM is specified as the data writing destination for sam-
pling, this parameter specifies whether the sample memory
(RAM) will be optimized after data is written.
Optimization rearranges any unused memory areas so that
all of the remaining memory can be used.
On (checked):
pling, this parameter specifies whether the sample memory
(RAM) will be optimized after data is written.
Optimization rearranges any unused memory areas so that
all of the remaining memory can be used.
On (checked):
RAM will automatically be optimized when
sampling ends.
With this setting, you will always be able to sample without
wasting RAM, but the sound will stop when sampling ends.
If a song was playing in Sequencer mode, the playback will
stop.
Off (unchecked):
With this setting, you will always be able to sample without
wasting RAM, but the sound will stop when sampling ends.
If a song was playing in Sequencer mode, the playback will
stop.
Off (unchecked):
RAM will not be optimized when sam-
pling ends. Since the sound will not stop when sampling
ends, this setting is convenient when you want to consecu-
tively sample several sections while a song plays or while
listening to an input source such as a CD.
If “Auto Optimize RAM” is turned Off (unchecked) and
unused areas have accumulated in memory, you can execute
the page menu command “Optimize RAM” (Program P0:
0–3B, Combination P0: 0–3B, Sequencer P0: 0–3B, Sampling)
to optimize the RAM.
ends, this setting is convenient when you want to consecu-
tively sample several sections while a song plays or while
listening to an input source such as a CD.
If “Auto Optimize RAM” is turned Off (unchecked) and
unused areas have accumulated in memory, you can execute
the page menu command “Optimize RAM” (Program P0:
0–3B, Combination P0: 0–3B, Sequencer P0: 0–3B, Sampling)
to optimize the RAM.
The remaining amount of sample memory (RAM) can
be checked in Sampling Mode P0: Memory Status.
be checked in Sampling Mode P0: Memory Status.
0–4: mLAN Output
Here you can make mLAN output plug settings for the TRI-
TON STUDIO’s audio (L, R, Indiv. 1–4) and MIDI. This can
be selected if the EXB-mLAN option is installed.
TON STUDIO’s audio (L, R, Indiv. 1–4) and MIDI. This can
be selected if the EXB-mLAN option is installed.
For more about mLAN, refer to the “EXB-mLAN owner’s
manual” and “mLAN guide” included with the EXB-
mLAN.
manual” and “mLAN guide” included with the EXB-
mLAN.
0–4a: Nickname, Word Clock Mode
Nickname
Specifies the nickname for the EXB-mLAN installed in the
TRITON STUDIO. The nickname you specify here will be
displayed on external devices connected to the EXB-mLAN.
Some external devices may not display the nickname.
TRITON STUDIO. The nickname you specify here will be
displayed on external devices connected to the EXB-mLAN.
Some external devices may not display the nickname.
Word Clock Mode
[Auto, Manual]
Specifies the word clock of the EXB-mLAN.
0–4
0–4a
0–4b