Korg Triton Studio ユーザーズマニュアル

The effects section of the TRITON STUDIO consists of five 
Insert Effects

, two Master Effects, a stereo, three band Mas-

, and a Mixer section that controls the effect routings. 

You can select any of 102 digital Insert Effects or 89 digital 
Master Effects, as listed below:

Select the desired effects 000–089 from IFX 1, 2, 3, 4, and 
5, and MFX 1 and 2. Effects 090–102 are double-size 
effects and use twice the area, compared to other 
effects. They are selected in IFX 2, 3, and 4.

In Program mode, you can process sounds using Insert 
Effects

. This is something like processing an oscillator (OSC) 

output sound using a filter and an amplifier. Then, you can 
apply a modulation and reverb effect or other Master Effect) 
to the processed sound to add ambience and space. Finally, 
before the sound is output from the OUTPUT (MAIN) L/
MONO, and R connectors, you can fine-tune the tonal qual-
ity using the stereo, three-band Master EQ. You can adjust 
these settings for each Program individually.

In Combination mode, Sequencer mode, and Song Play 
mode

, you may process Program sounds for each timbre 

and track using the Insert Effects, add ambience and space 
to the entire sound using the Master Effects, and adjust the 
overall tonal quality using the Master EQ.
You can make these settings for each Combination in Com-
bination mode, for each Song in Sequencer mode, and for 
the Song Play mode individually.

In Sampling mode, you can sample while applying insert 
effects

 to the internal audio input from AUDIO INPUT 1, 2, 

S/P DIF IN, or mLAN (if the EXB-mLAN is installed) jacks. 
Settings in Sampling mode are made in Input (SAMPLING) 
(Sampling P0: 0–2a). These settings are valid only for Sam-
pling mode.
You can also sample while applying an insert effect to the 
samples assigned to a multisample. (Sampling P0: 0–2b)

The external input from the AUDIO INPUT 1, 2, S/P DIF 
IN

, or mLAN (if the EXB-mLAN option is installed) jacks is 

also valid in modes other than Sampling mode. In Program, 
Combination, Sequencer, and Song Play modes, you can use 
the insert effects, master effects, and master EQ. Settings 
for external input from the AUDIO INPUT 1, 2, S/P DIF IN, 
and mLAN (if the EXB-mLAN option is installed) can be 
made in “Input (COMBI, PROG, SEQ, S.PLAY, DISK)” (Glo-
bal P0: 0–3a).
In these modes, the external input sound from each jack can 
be processed by the TRITON STUDIO’s effects and sampled, 
or the TRITON STUDIO can be used as a 6-in 6-out effect 
processor. The TRITON STUDIO can also be used as a 
vocoder effect (093: Vocoder) that uses external mic input to 
control internal sounds.

When effects are applied to the external input sound 
from the AUDIO INPUT 1, 2, S/P DIF IN, and mLAN 
(if the EXB-mLAN option is installed) jacks, certain 
effect types or parameter settings may cause oscillation 
to occur. If this occurs, adjust the input level, output 
level, or effect parameters. Please be aware of this par-
ticularly when using an effect that has a high gain.

 is a function that enables you to con-

trol and change in real-time certain parameters 

*1

 of the TRI-

TON STUDIO that govern the intensity of the effects during 
performance via the TRITON STUDIO’s controllers and 
incoming MIDI messages.
You can also control the effect parameters using the BPM/MIDI 
Sync function 

*2

. Using this function enables you to synchronize 

the LFO speed of modulation effects or the delay time of delay 
effects with the tempo of the arpeggiator or sequencer.
For more information, refer to “Dynamic Modulation Source 
(Dmod)” (

*1

These effect parameters are marked with 

 

☞p.187–).

*2

 The effect parameters marked with 

 support this 

function (

☞p.192–).

To achieve the best tonal quality, signals sent to the Master 
Effects should be output at the maximum level without clip-
ping. Also, use the “Wet/Dry” parameter for the Insert 
Effects and the “Output Level” or “Return 1, 2” parameter 
for the Master Effects to adjust the effect output level.

000–015

Filters and dynamics effect, such as EQ and compression

016–031

Pitch modulation and phase modulation effects, such as cho-
rus and phaser

032–040

Other modulation and pitch-shifting effects, such as rotary 
speaker and pitch shifter

041–051

Early reflection and delay effects

052–057

Reverb effects

058–089

Mono effects and mono chain effects, in which two mono 
effects are internally connected in series

090–102

Double-size effects