Korg Triton Studio ユーザーズマニュアル

EG levels can be controlled by keyboard tracking, control-
lers, or tempo etc.

Set the “Intensity” value, and select +/–/0 for each EG seg-
ment (“St” start, “At” attack, “Br” break) to specify the 
direction of the effect (if any) on that segment.
+:

 AMS will function according to the Intensity setting. 

 The sign of the Intensity setting will be inverted.

 AMS will have no effect.

If “Intensity” is set to +66, the various EG levels can be con-
trolled over a maximum range of ±99.

• Set “AMS” to Velocity for Amp EG Level Modulation, 

“Intensity” to +66, “St” to 0, “At” to +, and “Br” to –. Set 
all Amp EG levels to +00. As you play with increasing 
velocity, the EG levels will change more greatly. At the 
maximum velocity, the Start Level will stay at +00, but 
the Attack Level will change to +99 and the Break Level 
will change to –99.

EG times can be controlled by keyboard tracking, control-
lers, or tempo etc. Set the “Intensity” value, and select +/–/0 
for each EG segment (“At” attack, Dc” decay, “Sl” slope, 
“Rl” release) to specify the direction of the effect (if any) on 
that segment.
+:

 AMS will function according to the Intensity setting.

The sign of the Intensity setting will be inverted. 

 AMS will have no effect.

Each EG time is determined by the Alternate Modulation 
value at the moment that the corresponding EG point is 
reached. For example, the Alternate Modulation value at the 
moment that the Attack Level is reached will determine the 
Decay Time.
If “Intensity” is set to a value of 8, 17, 25, 33, 41, or 49, the 
corresponding time can be multiplied by a maximum of 2, 4, 
8, 16, 32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/16, 1/
32, 1/64).

• Select JS +Y:CC#01 for “AMS,” and set “AMS Intensity” 

to +8, “At” to +, “Dc” to –, and “Sl” and “Rl” to 0. When 
you move the joystick in the +Y direction, the Attack 
Time will be lengthened by a maximum of 2 times. The 
Decay Time will be shortened by a maximum of 1/2. 
The Slope and Release times will not change.

The frequency of LFO 1 or 2 can be controlled by EG, key-
board tracking, controllers, or tempo etc., You can even use 
the LFO2 frequency to modulate the LFO1 frequency.
If “Intensity” is set to a value of 16, 33, 49, 66, 82, or 99, the 
corresponding frequency can be multiplied by a maximum 
of 2, 4, 8, 16, 32, or 64 times (or divided by 1/2, 1/4, 1/8, 1/
16, 1/32, 1/64).

• Select JS +Y:CC#01 for “AMS,” and set “Intensity” to 

. When you move the joystick in the +Y direction, the 

LFO frequency will be increased by a maximum of 2 
times. If you set “Intensity” to –16 and move the joystick 
in the +Y direction, the LFO frequency will be decreased 
by up to 1/2.

You can control certain effect parameters using the joystick, 
ribbon controller, etc. “on the fly.” Controlling effects in this 
way is referred to as Dynamic Modulation. For example, 
you can use After Touch to speed up the LFO of the chorus 
and flanger, or you can use the ribbon controller to activate 
the wah effect. In this way, you will be able to take full 
advantage of the effects as part of the expressive potential of 
your instrument.
Most of the parameters for dynamic modulation consist of 
parameter values for “Src” (source) and “Amt” (amount). 
The Src field selects the modulation source, and “Amt” sets 
the amount of dynamic modulation effect. When the modu-
lation source is set to the maximum value, the actual degree 
of the effect will be the parameter value plus the “Amt” 
value.

In Program and Sampling modes, dynamic modulation 
of the insertion effects and master effects is controlled 
via the global MIDI Channel. (In Sampling mode, only 
the insertion effects can be used.)
In Combination, Sequencer, and Song Play modes, 
dynamic modulation for the insertion effects and mas-
ter effects is controlled on the MIDI channel indepen-
dently specified by the “Ctrl Ch” for IFX1–5, MFX1, and 
MFX2.

“Wet/Dry” 10:90, “Src” After Touch, “Amt” +50

In this case, the effect balance is 10:90. As you apply After 
Touch, the percentage of the effect sound will increase. 
When After Touch is at its maximum, the effect balance will 
be 60:40.

The dynamic modulation effect will not be affected if 
you modify the “Amt” value while dynamic modula-
tion is being applied. The change will become effective 
when you operate the dynamic modulation source 
again.

Refer to the corresponding effect section for an explanation 
of other dynamic modulation parameters.
In the table of parameters for each effect, dynamic modula-
tion parameters are marked by a 

 symbol at the right 

of the parameter.