Korg Triton Studio ユーザーズマニュアル

Specifies the MIDI channel that the track will use to transmit 
and receive musical data. The MIDI channel you specify 
here will be the receive channel when “Status” is INT, the 
transmit channel when it is EXT or EX2, and the receive/
transmit channel when it is BTH. Tracks set to INT which 
have the same MIDI channel will sound and be controlled 
identically when they receive MIDI data or data from the 
sequencer tracks.

When “Status” is set to EX2, this sets the bank number that 
will be transmitted.
The left value is the MSB, and the right value is the LSB.
When “Status” is other than EX2, this setting has no effect.

These parameters specify how each track will be sounded.

Selects the Voice Assign Mode (Program P1: 1–1b) of the pro-
gram selected for each track 1–16 (

☞Combination P2: 2–2a).

Specifies the “Oscillator Mode” of the program selected for 
each track 1–16. If the “Oscillator Mode” is Double, you can 
use this setting to make only one or the other oscillator 
sound (

☞Combination P2: 2–2a).

Specifies the portamento effect for each track 1–16 (

☞Com-

bination P2: 2–2a).

The portamento setting you make here will be used 
when the song is played or recorded from the begin-
ning. If you change the setting while recording, it will 
be recorded as part of the musical data. (However if 
you set this to PRG, it will not be recorded.) You can 
change this setting during playback. However if you 
come to any Portamento On/Off data or Portamento 
Time data that was recorded, the settings will change 
accordingly.
When the track whose “Status” (2–1a/2a) is INT or 
BTH

, MIDI control change CC#5 (Portamento Time) 

and CC#65 (Portamento Switch) can be received to con-
trol this and change the setting. (If the setting is PRG, 
CC#05 Portamento Time will not be received.)
When you switch songs or return to the beginning of 
the song, tracks whose “Status” is BTH, EXT, or EX2 
will transmit this setting via MIDI. If this is Off, CC#65 
with a value of 0 will be transmitted. If this is 001–127, a 

CC#65 of 127 and CC#05 of 1–127 will be transmitted.
If this is set to PRG, nothing will be transmitted.
This data is transmitted and received on the MIDI chan-
nel specified for each track by “MIDI Channel” (2–1a/
2a).

Here you can make pitch-related settings for each track.

Adjusts the pitch of each track in semitone steps.
12

 steps are one octave.

Adjusts the pitch of each track in one-cent steps from the 
normal pitch.

 Normal pitch.

You can use the “Detune BPM Adjust” (2–5A) page menu 
command to make a calculation in BPM units and set 
Detune automatically.

“Transpose” and “Detune” settings do not affect the 
note data that is transmitted via MIDI. “Transpose” and 
“Detune” are controlled by received MIDI RPN mes-
sages. The “Oscillator Mode” (Program P1:1–1a) of the 
programs selected for tracks 1–16 will be controlled as 
follows. These messages will be received on the MIDI 
channel that is specified for each track by “MIDI Chan-
nel” (2–1a/2a).

• If “Oscillator Mode” is Single or Double, MIDI RPN 

Coarse Tune messages can be received to control and 
change the “Transpose” setting, and Fine Tune 
messages to control and change the “Detune” setting.

• If “Oscillator Mode” is Drums, MIDI RPN Coarse 

Tune and Fine Tune messages can be received to 
control and change the “Detune” setting. The range of 
control will be ±1 octave when Coarse Tune and Fine 
Tune are added. 

Specifies the range of pitch change in semitone steps that 
will occur when the pitch bender is operated.

 The pitch range specified by the program will be used.

 Regardless of the setting of the program, pitch 

bending will use the range you specify here.

This setting can be controlled and changed by received 
MIDI RPN Pitch Bend Range messages. (These mes-
sages will not be received if the setting is PRG.)

0–1

0–1a

2–3a

0–1b
0–3a

2–5

0–1a

2–5a

0–1b
0–3a