Korg Triton Studio ユーザーズマニュアル

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• Alternatively, you could choose Track01 in “Track 
Select
” to run arpeggiator A for tracks 1 and 2, and use 
an external MIDI device connected to the TRITON 
STUDIO’s MIDI IN to send note data to MIDI channel 3 
to play arpeggiator B.
The arpeggiator cannot be triggered by the notes 
played by the sequencer.
If the track “Status” (2–1a/2a) is set to INT or BTH
tracks 1–16 to which arpeggiator A or B are assigned 
will be sounded by the note data generated by the 
arpeggiator, regardless of the “MIDI Channel” (2–1a/
2a) setting of that track. If the track “Status” is set to 
BTH
EXT, or EX2, the track will transmit MIDI note 
data on the “MIDI Channel” of that track.
In this case, arpeggiator A or B will be triggered by the 
“MIDI Channel” of any track 1–16 to which the corre-
sponding arpeggiator is assigned.
If the “Local Control On” (Global P1: 1–1a) is turned 
OFF, the arpeggiator will not be triggered by note data 
from the keyboard. It will be triggered by note data 
received at MIDI IN. If you wish to record just the trig-
ger notes on an external sequencer and run the TRITON 
STUDIO’s arpeggiator in this way, turn Local Control 
OFF.
If you want the note data generated by the arpeggiator 
to be recorded on the external sequencer, turn Local 
Control ON, and turn off the echo back function of the 
external sequencer. (
Arpeggiator Run A, B
When the ARPEGGIATOR [ON/OFF] key is on, the arpeg-
giator(s) that are checked here will function for the track(s) 
to which they are assigned by “Arpeggiator Assign.”
When the arpeggiator is on, A and B can be turned on/off 
independently.
▼ 7–1: Page Menu Command
7–1A: Copy Arpeggiator
This command copies arpeggiator settings.
☞“Combination 7–1A: Copy Arpeggiator.”
7–3: Arpegg. A 
(Arpeggiator A)
7–4: Arpegg. B 
(Arpeggiator B)
In the Arpegg. A page you can make settings for arpeggiator 
A, and in the Arpegg. B page you can make settings for 
arpeggiator B.
The “Copy Arpeggiator” (7–1A) page menu command 
can also be used to copy arpeggiator settings from 
another mode such as Program mode.
7–3(4)a: Arpeggiator–A(B) Setup
Pattern
[P000...P004, U000(I-A/B)...U506(User)]
Octave
[1, 2, 3, 4]
Resolution
 ,   ,    ,   ,    ,   ]
Gate
[000...100(%), Step]
Velocity
[001...127, Key, Step]
Swing
[–100...+100(%)]
Sort
[Off, On]
Latch
[Off, On]
Key Sync.
[Off, On]
Keyboard
[Off, On]
These are the arpeggiator parameters for the song. 
☞“Program 7–1: Arpegg. Setup (Arpeggiator Setup)”
7–5: Scan Zone 
(Scan Zone A/B)
Specifies the range of notes and velocities that will trigger 
each arpeggiator A and B.
7–5a: Zone Map
This shows the Scan Zone settings for arpeggiators A and B. 
(
☞Combination “Zone Map” 7–4a)
Pattern - B 
Pattern - A
Pattern - A
Track2
MIDI Ch=2ch   Status=INT
Arpeggiator
A
Arpeggiator
B
Arpeggiator
Assign
A
A
Pattern - A
Pattern - B
Trigger
=  Ch1, Ch2
Trigger
= Ch3
Track3
MIDI Ch=3ch   Status=INT
B
Track1
MIDI Ch=1ch   Status=INT
0–1A
0–1B
0–1C
0–1D
0–1E
0–1F
7–1A
0–1I
0–1J
7–1
0–1b
7–3a
5–1b
0–1a
7–1
0–1b
7–5a
7–5b
5–1b
0–1a