Korg Triton Studio ユーザーズマニュアル

On the TRITON STUDIO, 48 kHz stereo 16-bit samples from 
an external device connected to the AUDIO INPUT jacks, S/
P DIF IN jack, or mLAN connector (if the EXB-mLAN 
option is installed) can be recorded into the internal sample 
memory (RAM) or to the internal hard drive. At this time, 
analog signals will be converted into digital signals, and 
digital signals will be recorded while still in digital form.
A performance using the TRITON STUDIO’s filters, effects, 
arpeggiator, and sequencer can be resampled.

The TRITON STUDIO comes with 16 Mbytes of sample 
memory (RAM) and an internal hard disk. (

☞For the capac-

ity of the hard disk, refer to BG p.153)
The 16 Mbytes of sample memory (RAM) allow you to sam-
ple approximately 2 minutes 54 seconds in mono, or approx-
imately 1 minute 27 seconds in stereo. By adding additional 
72-pin SIMM boards, you can expand the memory to a max-
imum of 96 Mbytes (when the standard 16 Mbytes are 
replaced by three 32 Mbyte SIMM boards). In this case, you 
will be able to record up to six samples that are each approx-
imately 2 minutes 54 seconds each for mono (or approxi-
mately 1 minute 27 seconds for stereo). (

☞For details on the 

72-pin SIMM boards that can be used, and how to install 
them, refer to p.286)
When sampling to the hard drive, a single sample file can be 
up to 80 minutes long for either stereo or mono (mono: 
approximately 440 Mbyte, stereo: approximately 879 
Mbyte). This will create a WAVE file.
The TRITON STUDIO supports a wide range of sources and 
formats as described below.

Sampling mode
1. An analog audio signal from a mic or audio device con-

nected to the AUDIO INPUT jacks can be converted into 
a digital signal and sampled. An insert effect can also be 
applied while sampling.

2. A digital audio signal from a digital audio device con-

nected to the S/P DIF jack can be sampled directly. An 
insert effect can also be applied while sampling. Sample 
rates of 48 kHz and 96 kHz are supported for the S/P DIF 
input and output. 96 kHz sample rate data will be con-
verted into 48 kHz when it is sampled.

3. A digital audio signal from a digital audio device con-

nected to the mLAN connector (if the EXB-mLAN option 
is installed) can be sampled directly. An insert effect can 
also be applied while sampling.

4. The analog audio output signal from an audio CD 

inserted into the CDRW-1 option (if installed) is inter-
nally connected to the AUDIO INPUT jacks. The CD can 
be played back on the TRITON STUDIO, and the analog 
audio signal converted into a digital signal and sampled. 
(If you are using a CD-R/RW drive connected to the SCSI 
connector, use a cable to connect it to the AUDIO INPUT 
jacks.)

5. A digital audio signal from an audio CD played back on 

the CDRW-1 option (if installed) or a CD-R/RW drive 
connected to the SCSI connector can be sampled directly 
(the Ripping function).

6. Resampling can be performed by applying insert effects 

to one or more existing samples, and once again sam-
pling them internally. You can select either “Auto,” where 
insert effect processing will be performed automatically 
on the sample you specify, or “Manual,” where you can 
manually apply an insert effect and play the sample man-
ually for resampling.

Program, Combination, and Sequencer modes
1. A performance that uses the various functions of each 

mode (filters, effects, arpeggiator, sequencer, etc.) can be 
resampled. (

☞Program: p.4, Combination: p.36, 

2. External audio sources can be sampled from the various 

input jacks (see “Sampling mode” paragraphs 1, 2, and 3, 
above). At this time, you can mix your playing on the 
TRITON STUDIO with the external audio, or monitor 
your playing on the TRITON STUDIO while sampling 
only the external audio from the input jacks. You can also 
add the master effects when sampling.

3. In Sequencer mode, you can sample an external audio 

source while the sequencer song plays back, and the 
appropriate note data will automatically be created in a 
track. This lets you sample vocals or guitar while the 
sequencer is running, just as though you were using a 
multi-track recorder. (In-Track Sampling function)

Samples recorded in Sampling mode, or in the Program, 
Combination, and Sequencer modes can be used as wave-
forms for the tone generator.
Samples recorded to sample memory (RAM) can be used as 
tone generator waveforms.
Samples recorded to the hard disk (WAVE files) can be 
loaded into sample memory (RAM) and used as tone gener-
ator waveforms. WAVE files can also be written to the 
CDRW-1 option (if installed) or a CD-R/RW drive con-
nected to the SCSI connector, to create an audio CD.

Individual samples (WAVE files) from the hard disk up 
to 16 Mbyte in size for mono or 32 Mbyte for stereo (if 
the sample memory has been expanded to 32 Mbyte or 
more) can be loaded into sample memory (RAM).

In Sampling mode, sample data created via sampling or 
loaded from media (including WAVE or AIFF formats) can 
be assigned to indexes (zones) to create a multisample. One 
multisample can contain multiple indexes.
A multisample you create can easily be converted into a pro-
gram (

☞“Convert MS to Program” 0–1G). When a multi-

sample is converted, the filter, amp, and effect settings will 
automatically be created with the program. The program 
can also be used in Combination mode or Sequencer mode.
A sample can also be used as a drum sample in a drum kit.