Korg Electric Keyboard ユーザーズマニュアル

When you save data dumps from this instrument to a 
MIDI data filer, do not save multiple data dumps 
together. If this data is saved together, there will be 
insufficient time for this instrument to write each 
received portion into memory before the next portion of 
data arrives, so that it will be impossible to receive all of 
the data correctly.

Do not touch this instrument’s switches or turn off the 
power while data is being received.

Before receiving data, we recommend that you close the 
various dialog boxes, page menus, or utility commands 
(with the exception of the “Receive and Save MIDI 
Exclusive Data” dialog box (MEDIA 1.1–2a: Save Exclu-
sive). It is not possible to receive dump data in the 
Sequencer mode SEQ 2.1: CUE List page when you 
have pressed the [F7] (“EDIT”) key and are editing the 
cue list. In this case, you must press the [F7] (“DONE”) 
key and exit cue list editing if you need to receive data.

After a data dump is received, this instrument will 
require up to 20 seconds to process the data and write it 
into memory. During this time, the display will indicate 
“Now writing into internal memory.” While this dis-
play is shown, you must under no circumstances turn 
off the power of this instrument. If the power is turned 
off during this time, this instrument may fail to operate 
correctly when the power is turned on again. If this 
occurs, hold down the [MENU] key and the [9] key 
while you turn on the power. However when this is 
done, the contents of memory will be initialized.

Transmission and reception of MIDI data is also impos-
sible during this time. When receiving multiple data 
dumps in succession, you must allow an interval 
between the transmission of each data dump. (☞refer to 
the table below)

While this instrument is writing the data into memory, 
transmission of Active Sensing (FEh) messages from the 
MIDI OUT connector will stop.

1

Connect this instrument and the device that will receive 
the data dump.
If you are using a computer that is able to transmit MIDI 
exclusive data, connect the computer’s MIDI interface 
(connected to the computer) to the MIDI IN connector of 
this instrument. (☞p.229)
If you are using a MIDI data filer, connect the MIDI OUT 
connector of the data filer to the MIDI IN connector of 
this instrument.

2

Set the MIDI channel of the MIDI device to match the 
global MIDI channel “MIDI Channel” (2.1–1a) of this 
instrument. If data that was previously transmitted to the 
MIDI device is now going to be received again by this 
instrument, set the global MIDI channel of this instru-
ment to the same global MIDI channel setting that was 
used when transmitting the data.
To set the MIDI channel of the transmitting device, refer 
to the owner’s manual for that device. 

3

Turn check the “Exclusive” setting (2.1–1b).

4

Transmit the data from the other device. For the proce-
dure, refer to the owner’s manual for the device you are 
using. While the data is being received, the display will 
indicate “Now received MIDI data.”

Here you can create sixteen User Octave Scales and one User 
All Notes Scale. The user scales you create here can be 
selected in the PROG 2.1–1, COMBI 3.2–1, SEQ 3.2–1(2).

If you wish to keep an edited user scale after the power 
is turned off, be sure to write (save) your settings.
This data is written by the Utility “Write Global Set-
ting.” Alternatively, you can press the [REC/WRITE] 
key to access the Write Global Setting dialog box, and 
press the [F8] (“OK”) key to write the edited data.

Select the user octave scale that you wish to edit.

Specifies the scale for one octave of notes.
When you adjust the pitch of each note in the octave (C–B) 
in one-cent steps, your settings will be applied to all octaves. 
This adjustment is relative to equal temperament.

A setting of –99 lowers the pitch approximately a semitone 
below normal pitch.
A setting of +99 raises the pitch approximately a semitone 
above normal pitch.

The note can also be selected by holding down the 
[ENTER] key and playing a note on the keyboard.

All

Approximately 20 seconds

All Programs

Approximately 8 seconds

One Program Bank

Approximately 2 seconds

All Combinations

Approximately 3 seconds

One Combination Bank Approximately 2 seconds

All Drum Kits

Approximately 3 seconds

All Arpeggio Patterns

Approximately 2 seconds

Global Setting

Approximately 1 seconds

Sequencer

Approximately 1 second

3.1–1a

3.1–1b