Korg Electric Keyboard ユーザーズマニュアル

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PROG
 1.1
 2.1
2.2
3.1
4.1
4.2
5.1
5.2
5.3
6.1
7.1
7.2
PROG
 1.1
 2.1
2.2
3.1
4.1
4.2
5.1
5.2
5.3
6.1
7.1
7.2
15
Int. to B (KBDTrk Int. to B)
[–99...+99]
Specifies the depth and direction of the effect on filter 1B 
produced by keyboard tracking. (☞“Int. to A (KBDTrk Int. 
to A)”)
4.1–2b: Filter EG
Int. to A (Intensity to A)
[–99…+99]
Specifies the depth and direction of the effect that the time-
varying changes created by the filter 1 EG will have on the 
filter 1A cutoff frequency.
With positive (+) settings, the sound will become brighter 
when the EG levels set by Filter 1 EG “L (Level)” and “T 
(Time)” parameters (4.1–5a) are in the “+” area, and darker 
when they are in the “–” area.
With negative (–) settings, the sound will become darker 
when the EG levels set by Filter 1 EG “L (Level)” and “T 
(Time)” parameters are in the “+” area, and brighter when 
they are in the “–” area.
Int. to B (Intensity to B)
[–99…+99]
Specifies the depth and direction of the effect that the time-
varying changes created by the filter 1 EG will have on the 
filter 1B cutoff frequency. (☞“Int. to A (Intensity to A)”)
Vel to A (Velocity to A)
[–99…+99]
This parameter specifies the depth and direction of the effect 
that velocity will have on the time-varying changes created 
by the filter 1 EG (as set by “Filter 1 EG” 4.1–5) to control the 
filter 1A cutoff frequency.
With positive (+) values, playing more strongly will cause 
the filter 1 EG to produce greater changes in cutoff fre-
quency. With negative (–) values, playing more strongly will 
also cause the filter 1 EG to produce greater changes in cut-
off frequency, but with the polarity of the EG inverted.
Vel to B (Velocity to B)
[–99…+99]
This parameter specifies the depth and direction of the effect 
that velocity will have on the time-varying changes created 
by the filter 1 EG to control the filter 1B cutoff frequency. 
(☞“Vel to A (Velocity to A)”)
 4.1–2c: AMS, Into to A, Int to B
AMS (Filter EG AMS)
[Off, (EXT)]
Indicates the source that will control the depth and direction 
of the effect that the time-varying changes produced by the 
filter 1 EG will have on the cutoff frequency of filters 1A and 
1B (☞p.212 “AMS List”).
Int. to A (AMS Int. to A)
[–99…+99]
Specifies the depth and direction of the effect that “AMS 
(Filter EG AMS)” will have on filter 1A.
For details on how this will apply, refer to “Int. to A (Inten-
sity to A).”
Int. to B (AMS Int. to B)
[–99…+99]
Specifies the depth and direction of the effect that “AMS 
(Filter EG AMS)” will have on filter 1B. (☞“Int. to A (Inten-
sity to A).”)
The sum of the settings for “Int. to A (B),” “Vel to A 
(B),” and “Int. to A (B) (AMS Int. to A/B)” will deter-
mine the depth and direction of the effect produced by 
the filter EG.
 4.1–2d: UTILITY
☞ “Write Program” (1.1–1c), “Copy Oscillator,” “Swap 
Oscillator” (2.1–1d)
4.1–3: Mod.2 
(Filter1 Modulation2)
Indicates settings for the controller that will modify the tone 
by applying modulation to the filter 1 cutoff frequency “Fre-
quency (A/B Frequency).”
If “Type (Filter Type)” (4.1–1a) is Low Pass Resonance, the 
filter B parameters will not be displayed.
4.1–3a: Filter-A Modulation
AMS1 (Filter A AMS1)
[Off, (PEG, AEG, EXT)]
Indicates the source that will control modulation of the filter 
1A cutoff frequency (☞p.212 “AMS List”).
Intensity (A AMS1 Intensity)
[–99…+99]
Specifies the depth and direction of the effect that “AMS1 
(Filter A AMS1)” will have.
When “AMS1 (Filter A AMS1)” is JS X, a positive (+) value 
for this parameter will cause the cutoff frequency to rise 
when the joystick is moved toward the right, and fall when 
the joystick is moved toward the left. With a negative (–) 
value
 for this parameter, the opposite will occur.
This value is added to the setting of the Filter A “Frequency 
(A Frequency)”(4.1–1b).
AMS2 (Filter A AMS2)
[Off, (PEG, AEG, EXT)]
Intensity (A AMS2 Intensity)
[–99…+99]
Selects “AMS2 (Filter A AMS2),” and specify the depth and 
direction of the effect that the selected source will have 
(☞“AMS1,” “Intensity”).
 4.1–3b: Filter-B Modulation
This will be displayed when “Type (Filter Type)” (4.1–1a) is 
Low Pass & High Pass
.
Two alternate modulation sources can be used to modulate 
the cutoff frequency of filter 1B (☞“Filter-A Modulation”).
 4.1–3c: UTILITY
☞ “Write Program” (1.1–1c), “Copy Oscillator,” “Swap 
Oscillator” (2.1–1d)
Changes in cutoff frequency
Softly played
(The setting of Intensity to A (4.1–2b))
Strongly played
Setting to –
Strongly played
Setting to +
Note-on
Note-off
Note-on
Note-off
Note-on
Note-off
4.1–3a
4.1–3b
4.1–3c