Korg Electric Keyboard ユーザーズマニュアル

These settings specify how each timbre will be sounded.

Specifies the “Mode (Voice Assign Mode)” (PROG 2.1–1b) of 
the program selected for each timbre 1–8.

 The settings of the program will be used.

The timbre will play polyphonically, regardless of the 

settings of the program.
Mono: 

The timbre will play monophonically, regardless of 

the settings of the program.
LGT (Legato):

 The timbre will play monophonically, with 

single triggering (legato).

With settings of Mono or LGT, the note priority will be 
according to the “Priority” (PROG 2.1–1b) setting of the pro-
gram.

Specifies the “Mode (Oscillator Mode)” (PROG 2.1–1a) of 
the program selected for each timbre 1–8. If the “Mode 
(Oscillator Mode)” is Double, you can specify that either or 
both oscillators sound.

 OSC1 and 2 will sound as specified by the settings of 

the program.
OSC1:

 Only OSC1 will sound.

 Only OSC2 will sound. If “Mode (Oscillator Mode)” 

is Single or Drums, there will be no sound.

Indicates portamento settings for each timbre 1–8.

Portamento will be applied as specified by the pro-

gram settings.
Off: 

Portamento will be off, even if the original program set-

tings specified for it to be on.
001...127:

 Portamento will be applied with the portamento 

time you specify here, even if it is turned off by the program 
settings.

If the “Status” (3.1–1a) is set to INT, CC#05 (portamento 
time) and CC#65 (portamento switch) messages will be 
received to control and change this setting. (If the set-
ting is PRG, CC#05 portamento time will not be 
received.) These messages will be received on the MIDI 
channel specified for each timbre by “MIDI Channel” 
(3.1–1a).

■

☞ “Write Combination,” “Solo Selected Timbre” (1.1–1c)

Here you can make pitch-related settings for each timbre.

Adjusts the pitch of each timbre in semitone steps.
12

 units equal one octave.

When “Status” (3.1–1a) is INT, this parameter will 
affect the pitches sounded by the TRITON Le. When 
“Status” is EXT, this parameter will affect the note 
numbers of the MIDI note messages that are transmit-
ted.
For example if you make settings of +04 and +07 
respectively for two timbres that are set to EXT, playing 
the C key will transmit a C note number on the global 
MIDI channel, and at the same time will also transmit E 
and G note numbers on the MIDI channels of those tim-
bres.

Adjusts the pitch of each timbre in one-cent units.
0:

 Normal pitch.

You can also use the Utility “Detune BPM Adj.” (3.1–3b) 
page menu command to automatically make a detune 
setting from a calculation in BPM units.

“Transpose” and “Detune” can be controlled via MIDI 
RPN messages. Depending on the “Mode (Oscillator 
Mode)” (PROG 2.1–1a) settings of the programs used 
by timbres 1–8, they can be controlled as follows.
When “Mode (Oscillator Mode)” is Single or Double
MIDI RPN Coarse Tune can be received to control and 
change the setting of “Transpose,” and RPN Fine Tune 
can be received to control and change the setting of 
“Detune.”
When “Mode (Oscillator Mode)” is Drums, MIDI RPN 
Coarse Tune and Fine Tune can be received to control 
and change the setting of “Detune.” The controllable 
range is ±1 octave for coarse tune and fine tune 
together.

Specifies the amount of pitch change that will occur when 
the pitch bender is operated, in semitone units.

The pitch range specified by the program will be used.

This setting will be used regardless of the setting in 

the program.

The MIDI RPN Pitch Bend Change message can be 
received to control this and change the setting. (How-
ever it will not be received if this parameter is set to 
PRG

.) This message is received on the MIDI channel for 

each timbre set by “MIDI Channel” (3.1–1a).

3.1–2a

3.1–2b

3.1–3a

3.1–3b