Genz-Benz 6130 ユーザーガイド
OPERATION:
INPUT — Standard 1/4” input with an impedance of approximately 500K ohms, which we determined
provides the best response from all pick-ups currently available and is the basis for the smoothness of
the tonal response, consistency of sustain and an over all reduction of noise. Additionally, the precision
input scaling preamp contains a 40 Hz, 12db/octave high-pass filter and an “RFI” filter to eliminate
bleed-through from radio interference.
CHANNEL SELECT SWITCH — This push-button switch selects between the CLEAN and TUBE
OVERDRIVE channels. This function uses noiseless dual FET switches for studio quality operation.
When using a single button footswitch, this button is defeated.
CLEAN CHANNEL — This channel is constructed using a monolithic FET network for natural clean
tone. The tone is natural and open, lending itself readily to any musical style. Whether playing soft or
hard, the responsiveness of the clean preamp is punchy and articulate.
TUBE DRIVE CHANNEL — Using a real 12AX7 dual triode preamp tube in our classic TUBE-
DRIVER™ topology, we make this tube’s two discrete gain stages do things previously considered im-
possible. The TUBE GAIN control uses “loop feedback” to control the drive level to the tube over a very
wide range. This allows for settings that include clean, overdrive and over-the-top distortion that are
completely responsive to your individual playing style. Set for clean or over-the-top, this preamp is
warm, rich and full of natural harmonics. The TUBE VOLUME control sets the overall volume of this
channel. The noise floor and microphonics of this tube circuit are exceptionally low, even at super-high
gain settings.
MASTER 3 BAND EQUALIZATION — The 6130’s main equalization is a wide range 3-band active
equalization network. A “flat” setting is obtained with the controls at the 12 o’clock position.
ALESIS® DIGITAL EFFECTS — This state-of-the-art DSP utilizes 24-Bit technology for its processing
and D/A—A/D conversion. Effects include: 3– Plate Reverbs, 3– Room Reverbs, 2– Hall Reverbs, 1–
Rotary Speaker, 1– Chorus/Room, 1– Chorus/Plate, 1– Chorus, 1– Flange, 2– Delays and 1– Bypass.
EFFECTS LEVEL CONTROL — This controls the amount of effects returned back from the on-board
DSP. This does not control any out board effects patched into the effects loop.
EFFECTS SEND/RECEIVE JACKS — The 1/4” send jack provides a nominal –10dB output signal to
drive any common effects processor with “wet/dry mix control”. This jack is configured as an “insert”
jack and interrupts the signal between the preamp and the power amp. The send jack can also be used
as an unbalanced line level output. The 1/4” return jack is used to return the processed signal back into
the amplifier. This jack contains a switch that automatically opens the return jack signal loop when
processing is used. The “mix” control on the effects device is now used to set the balance between the
“wet” (processed only) and the “dry” (unprocessed) signals. Using the effects loop does not cancel the
on-board DSP effects. This allows for some creative multi-effects possibilities. To cancel the on-board
DSP, switch the encoder to the “bypass” position, or turn the effects level control to “0”.
CHANNEL and EFFECTS CANCEL FOOTSWITCH JACK — This tip-ring sleeve jack will accept any
2-button push-on, push-off style footswitch (footswitch not included) which duplicates the channel
switching function via a standard 1/4” (tip-ring sleeve) jack. Any switch providing a sustained contact
closure may be used. TIP=EFFECT CANCEL, RING=CHANNEL SWITCH.
SPEAKER ON/OFF SWITCH — Used to turn off the 12” speaker when using the headphone jack. This
is a great feature for silent practicing.
HEADPHONE JACK — Used to connect standard headphones (8-600 ohm). This output is short cir-
cuit protected. CAUTION—Protect your ears!!
POWER SWITCH — Turns the AC main power on and off, indicated by the green LED.
SPEAKER and CABINET — The 6130 uses a 12” Celestion™ speaker, perfectly matched to the
closed back style cabinet. A bottom mounted tilt-back handle is provided so the amp can point up to-
wards the performer. Finished in a textured vinyl finish, the cabinet sports a clean, no nonsense look
that shows that it is a serious music-making machine.
INPUT — Standard 1/4” input with an impedance of approximately 500K ohms, which we determined
provides the best response from all pick-ups currently available and is the basis for the smoothness of
the tonal response, consistency of sustain and an over all reduction of noise. Additionally, the precision
input scaling preamp contains a 40 Hz, 12db/octave high-pass filter and an “RFI” filter to eliminate
bleed-through from radio interference.
CHANNEL SELECT SWITCH — This push-button switch selects between the CLEAN and TUBE
OVERDRIVE channels. This function uses noiseless dual FET switches for studio quality operation.
When using a single button footswitch, this button is defeated.
CLEAN CHANNEL — This channel is constructed using a monolithic FET network for natural clean
tone. The tone is natural and open, lending itself readily to any musical style. Whether playing soft or
hard, the responsiveness of the clean preamp is punchy and articulate.
TUBE DRIVE CHANNEL — Using a real 12AX7 dual triode preamp tube in our classic TUBE-
DRIVER™ topology, we make this tube’s two discrete gain stages do things previously considered im-
possible. The TUBE GAIN control uses “loop feedback” to control the drive level to the tube over a very
wide range. This allows for settings that include clean, overdrive and over-the-top distortion that are
completely responsive to your individual playing style. Set for clean or over-the-top, this preamp is
warm, rich and full of natural harmonics. The TUBE VOLUME control sets the overall volume of this
channel. The noise floor and microphonics of this tube circuit are exceptionally low, even at super-high
gain settings.
MASTER 3 BAND EQUALIZATION — The 6130’s main equalization is a wide range 3-band active
equalization network. A “flat” setting is obtained with the controls at the 12 o’clock position.
ALESIS® DIGITAL EFFECTS — This state-of-the-art DSP utilizes 24-Bit technology for its processing
and D/A—A/D conversion. Effects include: 3– Plate Reverbs, 3– Room Reverbs, 2– Hall Reverbs, 1–
Rotary Speaker, 1– Chorus/Room, 1– Chorus/Plate, 1– Chorus, 1– Flange, 2– Delays and 1– Bypass.
EFFECTS LEVEL CONTROL — This controls the amount of effects returned back from the on-board
DSP. This does not control any out board effects patched into the effects loop.
EFFECTS SEND/RECEIVE JACKS — The 1/4” send jack provides a nominal –10dB output signal to
drive any common effects processor with “wet/dry mix control”. This jack is configured as an “insert”
jack and interrupts the signal between the preamp and the power amp. The send jack can also be used
as an unbalanced line level output. The 1/4” return jack is used to return the processed signal back into
the amplifier. This jack contains a switch that automatically opens the return jack signal loop when
processing is used. The “mix” control on the effects device is now used to set the balance between the
“wet” (processed only) and the “dry” (unprocessed) signals. Using the effects loop does not cancel the
on-board DSP effects. This allows for some creative multi-effects possibilities. To cancel the on-board
DSP, switch the encoder to the “bypass” position, or turn the effects level control to “0”.
CHANNEL and EFFECTS CANCEL FOOTSWITCH JACK — This tip-ring sleeve jack will accept any
2-button push-on, push-off style footswitch (footswitch not included) which duplicates the channel
switching function via a standard 1/4” (tip-ring sleeve) jack. Any switch providing a sustained contact
closure may be used. TIP=EFFECT CANCEL, RING=CHANNEL SWITCH.
SPEAKER ON/OFF SWITCH — Used to turn off the 12” speaker when using the headphone jack. This
is a great feature for silent practicing.
HEADPHONE JACK — Used to connect standard headphones (8-600 ohm). This output is short cir-
cuit protected. CAUTION—Protect your ears!!
POWER SWITCH — Turns the AC main power on and off, indicated by the green LED.
SPEAKER and CABINET — The 6130 uses a 12” Celestion™ speaker, perfectly matched to the
closed back style cabinet. A bottom mounted tilt-back handle is provided so the amp can point up to-
wards the performer. Finished in a textured vinyl finish, the cabinet sports a clean, no nonsense look
that shows that it is a serious music-making machine.