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98
Chapter 8. Detailed Editing for Patches
 
GENERAL
 
Parameters indicated by (
Parameter marked with a “
 
 
” can be controlled using specified MIDI messages. 
 
Stretched Tuning
 
fig.06-011.e
 
Functions of Patch Parameters
 
Settings Common to the Entire Patch
 
Parameter
Value
Explanation
Patch Category
 
Type (category) of the patch
 
Patch Level
 
0–127
Volume of the patch
 
Patch Pan
 
L64–0–63R
Left/right position of the patch
 
Patch Priority
 
LAST, LOUDEST
How notes will be managed when the maximum polyphony is exceeded (128 voices)
 
LAST:
 
 The last-played voices will be given priority (Notes will be turned off in order, 
beginning with the first-played note.)
 
LOUDEST:
 
 The loudest voices will be given priority (Notes will be turned off, beginning with 
the lowest-volume voice.)
 
Octave Shift
 
-3–+3
Pitch of the patch’s sound (in units of an octave)
 
Patch Coarse Tune 
 
 
-48–+48
Pitch of the patch’s sound (in semitones, +/- 4 octaves)
 
Patch Fine Tune
 
-50–+50
Pitch of the patch’s sound (in 1-cent steps; one cent is 1/100th of a semitone)
 
Stretch Tune Depth
 
OFF, 1–3
Stretched tuning (a system by which acoustic pianos are normally tuned, causing the lower 
range to be lower and the higher range to be higher than the mathematical tuning ratios would 
otherwise dictate)
 
OFF:
 
 Equal temperament
 
1–3:
 
 Higher settings will produce the greater difference in the pitch of the low and high 
ranges.
 
Analog Feel
 
0–127
Depth of 1/f modulation (a pleasant and naturally-occurring ratio of modulation that occurs in 
a babbling brook or rustling wind)
* You can simulate the natural instability characteristic of an analog synthesizer by adding 
this “1/f modulation.”
ZOOM
1
2
3
OFF
2
1
OFF
3
High note range
Pitch difference from
equal temperament
Parameter value
Low note range
JUNO-STAGE_e.book 98 ページ 2008年10月17日 金曜日 午後12時27分